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ses of suggestive thought, which he will find profusely lying in his daily paths. This key will not only open for him many of the rarest caskets in which art stores her gems, but will also unclose some of the ineffable wonders of God's mystically tender creation. 'My son, give me thy heart!' is written in God's own hand on everything He hath made. 'To me, the meanest flower that blows can give Thoughts that do often lie too deep for tears.' The absence of that mental vision which unites the visible to the invisible is not only ruinous to the art of the present age, but also to its faith, and, consequently, to its happiness. Thousands, feeling themselves in a narrow world while they unceasingly long for the infinite, rush into rash and wicked suicide, that they may thus escape from the contradictions and complicated pangs of the finite. The rays of light from the everlasting sun of wisdom and love are indeed forever falling round us, but we no longer bear the prism of faith which would decompose them for us, giving them such direction as they fall upon the symbolic, the relative, that we might read in their three-fold splendor the symbolized, the Absolute. The human soul was created for the enjoyment of God, and, consequently, touches the infinite at every point, and the health and well being of the spirit are far more concerned in its exploration than in any of the vaunted discoveries which it is at present making for the comfort of the body in the material world. As the limits of the horizon are constantly enlarging before the eyes of one who ascends a mountain, so does the moral world, of which the physical is but the symbol, unroll its immense perspectives of light and love before the gaze of the rapt seeker of truth. 'Deep love lieth under These secrets of time; They fade in the light of Their meaning sublime.' The infinite is the vast background from which all life projects; upon whose unity the immense variety of the world is sketched. As understood or sought by the finite, it is the central fire, the burning heart of art; it is the _last_ line in all our horizons; the _last_ shade in all our colors; the _last_ note in all our concerts; the alpha and omega of all true genius. It aspires in the last sigh of the mortal as he lingeringly leaves its dim manifestations upon earth: it lightens in the first smile of the immortal as its full fruition greets him in the presence of his God!
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