FREE BOOKS

Author's List




PREV.   NEXT  
|<   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306  
307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   >>   >|  
n and earth agree to follow him. I have a part for the brooks--their notes drop, drop, drop, like his: for the woods--they sob like him. At length, nothing remains but to blow the Hautboys; and just as the chorus arrives at its fulness, they come maundering in. They have a sweet old blundering 'cow song' to themselves--a silly thing, made of the echoes of all pastoral sounds. There's a warbling waggoner in it, and his team jingling their bells. There's a shepherd driving his flock from the fold, bleating; and the lowing of cattle. Down falls the lark like a stone; it is time he looked for grubs. Then the Hautboys go out, gradually; for the waggoner is far on his road to market; sheep cease to bleat and cattle to low, one by one; they are on their grazing ground, and the business of the day is begun. Last of all, the heavenly music sweeps away to waken more westering lands, over the Atlantic and its whitening sails."--"_An Essay without End_." ADDISON ON THE PERSONIFICATION OF THE LEADING INSTRUMENT. In the pages of the _Tatler_ (April, 1710), Addison with much ingenuity and humour personifies certain musical instruments. He says: "I have often imagined to myself that different talents in discourse might be shadowed out after the same manner by different kinds of music; and that the several conversable parts of mankind in this great city might be cast into proper characters and divisions, as they resemble several instruments that are in use among the masters of harmony. Of these, therefore, in their order; and first of the Drum. "Your Drums are the blusterers in conversation, that with a loud laugh, unnatural mirth, and a torrent of noise, domineer in public assemblies; overbear men of sense; stun their companions; and fill the place they are in with a rattling sound, that hath seldom any wit, humour, or good breeding in it. I need not observe that the emptiness of the Drum very much contributes to its noise. "The Lute is a character directly opposite to the Drum, that sounds very finely by itself. A Lute is seldom heard in a company of more than five, whereas a Drum will show itself to advantage in an assembly of five hundred. The Lutenists, therefore, are men of a fine genius, uncommon reflection, great affability, and esteemed chiefly by persons of a good taste, who are the only proper judges of so delightful and soft a melody. "Violins are the lively, forward, importunate wits, that distinguish themselve
PREV.   NEXT  
|<   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306  
307   308   309   310   311   312   313   314   315   316   317   318   319   320   321   322   323   324   325   326   327   328   329   330   331   >>   >|  



Top keywords:

waggoner

 

cattle

 
sounds
 

instruments

 
proper
 

humour

 
Hautboys
 

seldom

 
unnatural
 

torrent


conversation

 
overbear
 

public

 
domineer
 
assemblies
 

masters

 

mankind

 

conversable

 

shadowed

 

manner


characters
 

harmony

 
divisions
 
resemble
 

blusterers

 
esteemed
 

affability

 

chiefly

 

persons

 
reflection

uncommon
 

hundred

 
assembly
 

Lutenists

 

genius

 
importunate
 

forward

 

distinguish

 

themselve

 

lively


Violins

 

judges

 

delightful

 

melody

 

advantage

 
breeding
 

companions

 

rattling

 

observe

 
emptiness