All
sorts of monstrosities have, at one period or another, been pressed into
the service of the Gothic, such as lizards, toads, frogs, serpents,
dragons, spitfires, and salamanders. There is, I believe, some typical
connexion between these offensive objects and the different sins. When
well carved, properly placed, and not viewed too near, their effect is far
from bad. They help to give the edifice its fretted appearance, or a look
resembling that of lace. Various other features, which have been taken
from familiar objects, such as parts of castellated buildings,
portcullises, and armorial bearings, help to make up the sum of the
detail. On Henry the Seventh's chapel, toads, lizards, and the whole group
of metaphorical sins are sufficiently numerous, without being offensively
apparent; while miniature portcullises, escutcheons, and other ornaments,
give the whole the rich and imaginative--almost fairy-like aspect,--which
forms the distinctive feature of the most ornamented portions of the
order. You have seen ivory work-boxes from the East, that were cut and
carved in a way to render them so very complicated, delicate, and
beautiful, that they please us without conveying any fixed forms to the
mind. It would be no great departure from literal truth, were I to bid you
fancy one of these boxes swelled to the dimensions of a church, the
material changed to stone, and, after a due allowance for a difference in
form, for the painted windows, and for the emblems, were I to add, that
such a box would probably give you the best idea of a highly-wrought
Gothic edifice, that any comparison of the sort can furnish.

I stood gazing at the pile, until I felt the sensation we term "a
creeping of the blood." I know that Westminster, though remarkable for
its chapel, was, by no means, a first-rate specimen of its own style of
architecture; and, at that moment, a journey through Europe promised to
be a gradation of enjoyments, each more exquisite than the other. All
the architecture of America united, would not assemble a tithe of the
grandeur, the fanciful, or of the beautiful, (a few imitations of
Grecian temples excepted,) that were to be seen in this single edifice.
If I were to enumerate the strong and excited feelings which are
awakened by viewing novel objects, I should place this short visit to
the abbey as giving birth in me to sensation No. 1. The emotion of a
first landing in Europe had long passed; our recent "land-fall" had