ang there for ten years
and then took charge of the choir at the Calvary Presbyterian Church,
resigning March 1, 1906, after eight years of service. During all
those years he was known throughout the coast as the San Francisco
basso. He made one tour of British Columbia, Washington, a territory
then, Oregon and California with Madam Anna Bishop. He made another
tour of California with Madam Camilla Urso, the violiniste, and a
second tour of the northwest with Charles Kohler, Charles Vivian and
Mrs. Blake-Alverson. He sang in all of the oratorios given by the
Handel and Haydn society of San Francisco as bass soloist, Creation,
St. Paul, Elijah, Samson, Mendelssohn's Hymn of Praise and Messiah.
He also sang as basso of the Temple Emanuel from 1874 to 1888,
thirteen consecutive years, and was the basso profundo of that
celebrated male quartette, The Amphions, composed of Joseph Maguire,
H.J. Tippett, Jacob Stadfeldt, Campbell and Harry Hunt, pianist. Upon
the death of Joseph Maguire in 1878 the quartette disbanded as we were
unable to fill his place. While singing at the First Unitarian Church
the choir was composed of Mrs. Marriner, soprano; Miss Sallie
Rightmire, alto; Joseph Maguire, tenor; W.C. Campbell, basso. The
soprano and bass were united in the holy bonds of wedlock and are
still living happily together. Having given up concert singing for
several years past, Mr. Campbell still retains his magnificent voice
which gives great pleasure to those who hear him. His voice has a
range of two and one-half octaves from high F to low B flat, a
remarkable range at the present time.

[Illustration:

Ada Koch
Geo. G. Peterson
Lauretta Shaw
Bessie G. Newell
Mrs. Grace E. Dobbins-Ames
Susan Culver
Mrs. J.R. Case

PUPILS OF THE 90's]

FREDERICK ZECH, JR.

Mr. Zech, pianist and composer, was born in Philadelphia,
Pennsylvania, and came here with his family in 1860. He began his
musical studies early in life. He made such progress in his studies
that later he went abroad and studied from 1882 to 1887. While in
Berlin he became a private pupil of Theodore Kullack. He began to
teach in 1878. His first academy was the New Academy of the Tone Art
in Berlin. Before going abroad he had conducted symphony concerts and
recitals and was a successful teacher, also composed many beautiful
compositions in serious music, two symphonic poems and orchestral
music and conducted the same successfully.

HENRY HEYMAN

Sir Henry H