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fails him altogether, realises it too and the story is finished. * * * * * The main object of the characters in _The Courts of Idleness_ (WARD, LOCK) was to amuse themselves, and as their sprightly conversations were often punctuated by laughter I take it that they succeeded. To give Mr. DORNFORD YATES his due he is expert in light banter; but some three hundred pages of such entertainment tend to create a sense of surfeit. The first part of the book is called, "How some passed out of the Courts for ever," and then comes an interlude, in which we are given at least one stirring war-incident. I imagine that Mr. YATES desires to show that, although certain people could frivol with the worst, they could also fight and die bravely. The second part, "How others left the Courts only to return," introduces a new set of people but with similar conversational attainments. Mr. YATES can be strongly recommended to anyone who thinks that the British take themselves too seriously. * * * * * =A Burning Question.= "The Germans have singed the Protocol."--_China Advertiser_. * * * * * =A Master of Deduction.= "At 11.30 last night a black iron safe, 22 inches by 18, was found by the roadside at Leaves Green-road, Keston. When examined it was found that the bottom of the safe had been cut out. A burglary is suspected."--_Evening Paper_. * * * * * End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 159, September 22, 1920, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** ***** This file should be named 17653.txt or 17653.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/6/5/17653/ Produced by Jonathan Ingram, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Projec
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