a Factor in "Violin
Mastery" 277
ILLUSTRATIONS
Eugene Ysaye _Frontispiece_
FACING
PAGE
Leopold Auer 14
Mischa Elman 38
Arthur Hartmann 66
Jascha Heifetz 78
Fritz Kreisler 100
Franz Kneisel 110
Adolfo Betti 128
David Mannes 146
Tivadar Nachez 160
Maud Powell 184
Toscha Seidel 220
Albert Spalding 240
Theodore Spiering 248
Jacques Thibaud 260
Gustav Saenger 278
VIOLIN MASTERY
EUGENE YSAYE
THE TOOLS OF VIOLIN MASTERY
Who is there among contemporary masters of the violin whose name stands
for more at the present time than that of the great Belgian artist, his
"extraordinary temperamental power as an interpreter" enhanced by a
hundred and one special gifts of tone and technic, gifts often alluded
to by his admiring colleagues? For Ysaye is the greatest exponent of
that wonderful Belgian school of violin playing which is rooted in his
teachers Vieuxtemps and Wieniawski, and which as Ysaye himself says,
"during a period covering seventy years reigned supreme at the
_Conservatoire_ in Paris in the persons of Massart, Remi, Marsick, and
others of its great interpreters."
What most impresses one who meets Ysaye and talks with him for the
first time is the mental breadth and vision of the man; his kindness and
amiability; his utter lack of small vanity. When the writer first called
on him in New York with a note of introductio from his friend and
admirer Adolfo Betti, an
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