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rient Way, Rutherford N.J. CONTENTS PAGE FOREWORD v EUGENE YSAYE The Tools of Violin Mastery 1 LEOPOLD AUER A Method without Secrets 14 EDDY BROWN Hubay and Auer: Technic: Hints to the Student 25 MISCHA ELMAN Life and Color in Interpretation. Technical Phases 38 SAMUEL GARDNER Technic and Musicianship 54 ARTHUR HARTMANN The Problem of Technic 66 JASCHA HEIFETZ The Danger of Practicing Too Much. Technical Mastery and Temperament 78 DAVID HOCHSTEIN The Violin as a Means of Expression and Expressive Playing 91 FRITZ KREISLER Personality in Art 99 FRANZ KNEISEL The Perfect String Ensemble 110 ADOLFO BETTI The Technic of the Modern Quartet 127 HANS LETZ The Technic of Bowing 140 DAVID MANNES The Philosophy of Violin Teaching 146 TIVADAR NACHEZ Joachim and Leonard as Teachers 160 MAXIMILIAN PILZER The Singing Tone and the Vibrato 177 MAUD POWELL Technical Difficulties: Some Hints for the Concert Player 183 LEON SAMETINI Harmonics 198 ALEXANDER SASLAVSKY What the Teacher Can and Cannot Do 210 TOSCHA SEIDEL How to Study 219 EDMUND SEVERN The Joachim Bowing and Others: The Left Hand 227 ALBERT SPALDING The Most Important Factor in the Development of an Artist 240 THEODORE SPIERING The Application of Bow Exercises to the Study of Kreutzer 247 JACQUES THIBAUD The Ideal Program 259 GUSTAV SAENGER The Editor as
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