rient Way,
Rutherford N.J.
CONTENTS
PAGE
FOREWORD v
EUGENE YSAYE The Tools of Violin Mastery 1
LEOPOLD AUER A Method without Secrets 14
EDDY BROWN Hubay and Auer: Technic: Hints
to the Student 25
MISCHA ELMAN Life and Color in Interpretation.
Technical Phases 38
SAMUEL GARDNER Technic and Musicianship 54
ARTHUR HARTMANN The Problem of Technic 66
JASCHA HEIFETZ The Danger of Practicing Too
Much. Technical Mastery and
Temperament 78
DAVID HOCHSTEIN The Violin as a Means of Expression
and Expressive Playing 91
FRITZ KREISLER Personality in Art 99
FRANZ KNEISEL The Perfect String Ensemble 110
ADOLFO BETTI The Technic of the Modern Quartet 127
HANS LETZ The Technic of Bowing 140
DAVID MANNES The Philosophy of Violin Teaching 146
TIVADAR NACHEZ Joachim and Leonard as Teachers 160
MAXIMILIAN PILZER The Singing Tone and the Vibrato 177
MAUD POWELL Technical Difficulties: Some Hints
for the Concert Player 183
LEON SAMETINI Harmonics 198
ALEXANDER SASLAVSKY What the Teacher Can and Cannot Do 210
TOSCHA SEIDEL How to Study 219
EDMUND SEVERN The Joachim Bowing and Others:
The Left Hand 227
ALBERT SPALDING The Most Important Factor in the
Development of an Artist 240
THEODORE SPIERING The Application of Bow Exercises
to the Study of Kreutzer 247
JACQUES THIBAUD The Ideal Program 259
GUSTAV SAENGER The Editor as
|