thusiastically pleased at the event, talked to Mr. Godwin about all
his works, inquired about the forthcoming book--in fact, bored him
through and through. At last the author turned to my husband for
refuge against this assault of admiration, and discovered that his
host had left the room. He therefore rose from his seat and approached
the window leading to the lawn, Mr. Jenkins officiously following, and
insisting upon opening it for him; and while he was urging a
provokingly obstinate lock, the object of his devoted attention waited
behind him for release. The casement at length flew open, and Mr.
Godwin passing the gentleman with a courteous look of thanks, found to
his astonishment that Mr. Jenkins had disappeared, and that Mr.
Mathews stood in his place!" Students of "Cloudesly" may discover
therein the result of Godwin's interview with Mathews, and their
discussion concerning the art of making-up and disguise.
Some fifty years ago Mr. Leman Thomas Rede published "The Road to the
Stage, a Player's Vade-Mecum." setting forth, among other matters,
various details of the dressing-rooms behind the curtain. Complaint
was made at the time that the work destroyed "the romance of the
profession," and laid bare the mysteries of the actor's life, such as
the world in general had small concern with. But Mr. Rede's
revelations do not tell very much; at any rate, the secrets he deals
with have come to be things of common knowledge. Nor are his
instructions upon the art of making-up to be accounted highly in these
times. "Light-comedy calves," he tells us, "are made of ragged silken
hose;" and what may be called "Othello's blacking," is to be composed
of "burnt cork, pulverised and mixed with porter." Legs coming before
the foot-lights must of course be improved by mechanical means, when
nature has been unkind, or time has destroyed symmetry; but art has
probably discovered a better method of concealing deficiencies than
consists in the employment of "ragged silken hose." The veteran light
comedian, Lewis, who at a very advanced age appeared in juvenile
characters, to the complete satisfaction of his audience, was famed
for his skill in costume and making-up. But one night, a roguish
actress, while posted near him in the side-wings, employed herself in
converting one of his calves into a pincushion. As soon as he
discovered the trick, he affected to feel great pain, and drew up his
leg as though in an agony; but he had remained
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