en too hot by a great
deal, and had injured his cuticle considerably. With the utmost haste,
although announced to play Hamlet on the following evening, the
actor--who then styled himself Mr. Hulsingham, a name he forthwith
abandoned--hired a post-chaise and eloped from Gravesend.

Making-up is in requisition when the performer desires to look either
younger or older than he or she really is. It is, of course, with the
first-named portion of the art that actresses are chiefly concerned,
although the beautiful Mrs. Woffington, accepting the character of
Veturia in Thomson's "Coriolanus," did not hesitate to assume the
aspect of age, and to paint lines and wrinkles upon her fair face. But
she was a great artist, and her loveliness was a thing so beyond all
question that she could afford to disguise it or to seem to slight it
for a few nights; possibly it shone the brighter afterwards for its
brief eclipse. Otherwise, making-up pertains to an actor's "line of
business," and is not separable from it. Once young or once old he so
remains, as a rule, until the close of his professional career. There
is indeed a story told of a veteran actor who still flourished in
juvenile characters, while his son, as a matter of choice, or of
necessity, invariably impersonated the old gentlemen of the stage. But
when the two players met in a representation of "The Rivals," and Sir
Anthony the son, had to address Captain Absolute the father, in the
words of the dramatist: "I'll disown you; I'll unget you; I'll never
call you Jack again!" the humour of the situation appealed too
strongly to the audience, and more laughter than Sheridan had ever
contemplated was stirred by the scene.

The veterans who have been accused of superfluously lagging upon the
stage, find an excuse for their presence in the skill of their
make-up. For the age of the players is not to be counted, by the
almanack, but appraised in accordance with their looks. On the stage
to seem young is to be young, though occasionally it must happen that
actors and audience are not quite in agreement upon this question of
aspect. There have been many youthful dramatic heroines very well
stricken in years; ingenues of advanced age, and columbines who might
almost be crones; to say nothing of "young dogs" of light comedians,
who in private life are well qualified to appear as grandsires, or
even as great-grandfathers. But ingenuity in painting the face and
padding the figure will pro