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ngenital tendency of this kind would have been more likely to develop itself in Karl, the weakling, than in the sturdy Ludwig. The master's known impulsiveness and carelessness in matters connected with the preservation of his health, lead to the conclusion that he himself contributed much to his deafness. He was fond of pure air outside, but sometimes had for a sleeping room an alcove wholly without ventilation, so dark that he had to dress in another room. We hear much of his practice of taking brisk walks on the ramparts or in the suburbs, in the intervals of his work. There is at least one instance on record,--there were probably many such cases,--of his coming in after a walk, overheated, perspiring, and seating himself before an open window in a draught. Another hygienic measure which he abused was his custom of frequently bathing his head in cold water while at work, probably to counteract the excessive circulation of the blood in the head brought about by his brain-work. A chilling of the body, particularly in the neck and the back of the head when overheated is a frequent cause of inflammation of the middle ear. Von Frimmel calls attention to the dust-storms which are a feature of Vienna. They were probably worse in Beethoven's time than now, as but little attention was paid to hygienic measures in those days. This no doubt aggravated the trouble. CHAPTER XIX LIFE'S PURPORT Das Grenzenlose braust um mich. Weit hinaus glaenzt mir Raum und Zeit. Wohlan! Wohlauf! altes Herz. --FRIEDERICH NIETZSCHE. Beethoven's life in its devotion to the attainment of a single end, the perfection of his art, affords an object lesson, which cannot fail to encourage and stimulate every one engaged in creative work of any kind. His earnestness and industry is the key-note to his achievement. He worked harder than any composer we have any record of, with the possible exception of Wagner. If we consider how the compositions improved in his hands, while being worked over, as is shown by the sketch-books, a simple process of reasoning will convince the reader that any man's work, in any line, can be improved by adopting the same methods. Beethoven's own words in this connection are, "the boundary does not yet exist, of which it can be said to talent cooperating with industry, 'Thus far shalt thou go and no farther.'" The more he worked over his compositions the
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