rks of, 40,
characterized by gayety, 100.
Second Symphony, 26, 36, 37,
Larghetto of, 36.
Seebald, Amalie, 87, 88,
facsimile of letter to her, opp. page 88.
Sehnsucht (Goethe's), 142.
Seidl, Anton, 166.
Sensenman, the, 116.
Seventh Symphony, 95, 96, 109,
Dance element in, 99,
First performance of, 105,
Coda of Vivace of, 97,
Hungarian peasant dance in, 96,
Weber's strictures on, 159.
Scherzo, 33, 34, 132, 133,
Peculiar to Beethoven, 133,
developed by Beethoven, 132,
makes sport of humanity in, 133-134.
Schiller, 16, 131, 141, 148, 165.
Schindler, 59, 88, 127, 136, 152, 154, 156-158, 168, 169, 171, 176,
186, 188, 203, 205, 206, 207, 209, 210, 213,
Beethoven's biographer, 179.
Schroeder-Devrient, 155, 159.
Schopenhauer, 22, 77, 143, 174, 229, 236,
and humor, 134.
Schubert, 8, 127, 177, 206, 210, 211,
Reverence of, for Beethoven, 178,
Calls on Beethoven, 178,
Songs of, 206.
Schuman, 136, 232.
Schuppanzich, 168, 176, 206.
Schott, music publishers, 208, 209.
Scott, Walter, 134,
Kenilworth, 209.
Seyfried, 22, 64, 135, 212.
Shakespeare, 13, 68, 134, 139, 141, 223, 225,
Comedies of, 68,
the Tempest, 152,
a Universal man, 227,
Wagner's archetype in youth, 227.
Siegfried, 231.
Sight playing, from Ms., 63, 64.
Sixth Symphony (Pastoral), 14, 73, 78-79, 95, 122,
Dance tunes in, 78,
Dramatization of, 79,
Nature-poem, a, 78, 79,
Storm in, 78, 79.
Socrates, 161.
Solitary, Beethoven, the (quoted), 227.
Sonata in Ab, 35,
Fantasia, language of Resignation, 61,
Kreutzer, 44,
"Moonlight," 35,
opus 111, 187,
Pathetique, 26,
Pastorale, 35,
Waldstein, 11, 18, 44,
opus, 102, 129.
Sonata, the (form), 100.
Sonatas, 33, 36, 39,
Last (opus 109, 110, 111), 155,
Lofty imaginings of, 155,
Wondrous second movement of op. 111, 158,
F minor and D minor, 152.
Sonnleithner, 49, 56.
Sontag, 160, 170.
Spohr, 105.
Stadler, Abbe, 139, 167.
St. Just, 133.
St. Stephen's, Vienna, 22.
Streicher, Madame, 185, 186.
Stumpf, 139, 207, 209.
Stutterheim, Field-marshal von, 198, 208, 209.
Suite, the, earliest orchestral form, 99.
Suesmayer, 31.
Swieten, Baron von, 27, 59.

Tacitus, 4, 46.
Tact, woman's, 12.
Tenth Symphony (proposed), 170, 200,
Adagio of, 173,
Allegro of, a Bacchic festival, 173,
Religious in character, 172.
Tetralogy, variations in, 157.
Thackeray, 134.
Thayer, A.W., 59, 90.
Third Leonore overture, 56, 229.
Third Mass (pr