tasio's family
frequently. The daughter, in her journal, published after her death,
makes frequent mention of Beethoven, giving interesting glimpses into
his character. She tells of his bringing violets to her on March 17,
which he found in his walks in the fields, also of his carrying with him
on his walks a pocket edition of Shakespeare. The sarcastic, satirical
mood, which frequently took possession of Beethoven is touched on in the
journal, and is illustrated in the following incident. The father on one
occasion had remarked as if in compliment to the master, "My daughter
plays your music," upon which Beethoven laughed outright. It is hardly
necessary to say that the young lady played no more of Beethoven's
music, while he was about. On one occasion, however, she was playing his
_Kennst Du das Land?_ when he came in unexpectedly. He recognized it,
and at once went to her and stood at the piano, marking time and making
suggestions in regard to the rendering of it, thus making amends for
his former rudeness.
His interest in his nephew led him to make friendly advances to the
father as well as to the daughters, and he spent many pleasant hours
with them. On rare occasions he assumed his old air of happy boisterous
humor, when young people were about. He greatly enjoyed singing Goethe's
"Song of the Flea," calling out as the flea is killed: "Now he'll be
smashed! Now he'll be smashed!" (_jetzt wird er gegnaxt!_) making a
crash on the instrument at the word "smashed."
He came to them once after Karl had been placed in another school and
wept as he told them that his nephew had left him and gone to his
mother. The lad was recovered by the assistance of the police, and was
then placed with this family again. He once wrote a sharp letter to the
father criticising his methods in the teaching of Karl, but, on
reconsidering the matter sent word to the daughter asking her not to
show it to her father, as it was written in a blind rage, which he now
regretted. All this shows how carefully he looked after the young man's
welfare. It was the same with his music, which was intrusted to Czerny.
The youth inherited some musical talent and under favoring conditions
might have achieved something as a musician. When the instruction began,
Beethoven was in the habit of calling at Czerny's house nearly every day
with his nephew. On these occasions the master would frequently
improvise on the piano, to Czerny's great enjoyment. Czerny,
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