FREE BOOKS

Author's List




PREV.   NEXT  
|<   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104  
105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   >>   >|  
is called the old dragon. In Raffael's famous painting of the archangel Michael binding Satan, the dignity, power, and angelic character expressed by the seraph form an extraordinary contrast to the poor conception of a being who ought not, even in that lowest degradation, to have seemed so unworthy an antagonist. Neither has Tasso been more happy, where he represents the divan of darkness in the enchanted forest as presided over by a monarch having a huge tail, hoofs, and all the usual accompaniments of popular diablerie. The genius of Milton alone could discard all these vulgar puerilities, and assign to the author of evil the terrible dignity of one who should seem not "less than archangel ruined." This species of degradation is yet grosser when we take into consideration the changes which popular opinions have wrought respecting the taste, habits, powers, modes of tempting, and habits of tormenting, which are such as might rather be ascribed to some stupid superannuated and doting ogre of a fairy tale, than to the powerful-minded demon who fell through pride and rebellion, not through folly or incapacity. Having, however, adopted our present ideas of the devil as they are expressed by his nearest acquaintances, the witches, from the accounts of satyrs, which seem to have been articles of faith both among the Celtic and Gothic tribes, we must next notice another fruitful fountain of demonological fancies. But as this source of the mythology of the Middle Ages must necessarily comprehend some account of the fairy folk, to whom much of it must be referred, it is necessary to make a pause before we enter upon the mystic and marvellous connexion supposed to exist between the impenitent kingdom of Satan and those merry dancers by moonlight. LETTER IV. The Fairy Superstition is derived from different sources--The Classical Worship of the Silvans, or Rural Deities, proved by Roman Altars discovered--The Gothic Duergar, or Dwarfs--Supposed to be derived from the Northern Laps, or Fins--"The Niebelungen-Lied"--King Laurin's Adventure--Celtic Fairies of a gayer character, yet their pleasures empty and illusory--Addicted to carry off Human Beings, both Infants and Adults--Adventures of a Butler in Ireland--The Elves supposed to pay a Tax to Hell--The Irish, Welsh, Highlanders, and Manxmen held the same belief--It was rather rendered more gloomy by the Northern Traditions--Mer
PREV.   NEXT  
|<   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104  
105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   >>   >|  



Top keywords:
archangel
 

degradation

 

popular

 

supposed

 

habits

 
Northern
 
derived
 

dignity

 
expressed
 

Gothic


character

 

Celtic

 
marvellous
 

impenitent

 
kingdom
 

connexion

 
mystic
 
dancers
 

necessarily

 

fruitful


fountain

 

demonological

 

fancies

 

notice

 

articles

 

tribes

 

referred

 

account

 

comprehend

 

source


mythology

 
Middle
 

Silvans

 

Adults

 

Infants

 
Adventures
 

Butler

 
Ireland
 

Beings

 
illusory

Addicted
 

gloomy

 
belief
 
Manxmen
 

Traditions

 

Highlanders

 
pleasures
 

rendered

 
Worship
 

Deities