s plus oiseau des champs,
Mais de ces oiseaux des Tournelles
Qui parlent d'amour en tout temps,
Et qui plaignent les tourterelles
De ne se baiser qu'au printemps."

Which liberally translated into English will run substantially as
follows:

No more am I a wild bird on the wing,
But one of the birds of the Towers, who
The love in their hearts always sing,
And pity the poor Turtle Doves that coo
And never kiss only in spring.

Scarron alludes to the delicacy of the Count's taste and the
refinement of his wit, by saying of him: "The muses brought him up on
blanc mange and chicken broth."

How Ninon kept together this remarkable coterie can best be understood
by an incident unparalleled in female annals. The Count de Fiesque,
one of the most accomplished nobles of the French court, had it
appears, grown tired of an attachment of long standing between Ninon
and himself, before the passion of the former had subsided. A letter,
containing an account of his change of sentiments, with reasons
therefor, was presented his mistress, while employed at her toilette
in adjusting her hair, which was remarkable for its beauty and
luxuriance, and which she regarded as the apple of her eye. Afflicted
by the unwelcome intelligence, she cut off half of her lovely tresses
on the impulse of the moment, and sent them as her answer to the
Count's letter. Struck by this unequivocal proof of the sincerity of
her devotion to him, the Count returned to his allegiance to a
mistress so devoted, and thenceforward retained it until she herself
wearied of it and desired a change.

As an illustration of her sterling honesty in money matters and her
delicate manner of ending a liaison, the following anecdote will serve
to demonstrate the hold she was able to maintain upon her admirers.

M. de Gourville, an intimate friend of Ninon's, adhered in the wars of
the Fronde to the party of the Prince of Conde, one of the "Birds of
the Tournelles." Compelled to quit Paris, to avoid being hanged in
person, as he was in effigy, he divided the care of a large sum of
ready money between Ninon de l'Enclos and the Grand Penitencier of
Notre Dame. The money was deposited in two caskets. On his return from
exile, he applied to the priest for the return of his money, but to
his astonishment, all knowledge of the deposit was denied, and that if
any such deposit had been made, it was destined for charitable
purposes under the rules of the Penitencier, and had mos