ough the dome of the church.
Calling the abbot, Juan said, "I have been sent by the Lord to take
you to heaven. Come with me, and bring all your wealth."
The abbot put all his money into the bag. "Now get into the bag,"
said Juan, "and we will go."
The old man promptly obeyed. "Where are we now?" said he, after an
hour's "flight."
"We are within one thousand miles of the abode of the blessed,"
was Juan's reply.
Twenty minutes later, and they were in Juan's cave. "Come out of the
bag, and behold my rude abode?" said Juan to the old man. The abbot
was astounded at the sight. When he heard Juan's story, he advised
him to abandon his evil ways. Juan listened to the counsels of his
new friend. He became a good man, and he and the abbot lived together
until their death.
Notes.
The story of "Zaragoza" is of particular interest, because it
definitely combines an old form of the "Rhampsinitus" story with the
"Master Thief" cycle. In his notes to No. 11, "The Two Thieves," of
his collection of "Gypsy Folk Tales," F. H. Groome observes, "(The)
'Two Thieves' is so curious a combination of the 'Rhampsinitus'
story in Herodotus and of Grimm's 'Master Thief,' that I am more
than inclined to regard it as the lost original, which, according to
Campbell of Islay, 'it were vain to look for in any modern work or
in any modern age.'" By "lost original" Mr. Groome doubtless meant
the common ancestor of these two very widespread and for the most
part quite distinct cycles, "Rhampsinitus" and the "Master Thief."
Both of these groups of stories about clever thieves have been made
the subjects Of investigation. The fullest bibliographical study
of the "Rhampsinitus" saga is that by Killis Campbell, "The Seven
Sages of Rome" (Boston, 1907), pp. lxxxv-xc. Others have treated the
cycle more or less discursively: R. Koehler, "Ueber J. F. Campbell's
Sammlung gaelischer Maerchen," No. XVII (d) (in Orient und Occident, 2
[1864] : 303-313); Sir George Cox, "The Migration of Popular Stories"
(in Fraser's Magazine, July, 1880, pp. 96-111); W. A. Clouston,
"Popular Tales and Fictions" (London, 1887), 2 : 115-165. See
also F. H. Groome, 48-53; McCulloch, 161, note 9; and Campbell's
bibliography. The "Master Thief" cycle has been examined in great
detail as to the component elements of the story by Cosquin (2 :
274-281, 364-365). See also Grimm's notes to the "Master Thief,"
No. 192 (2 : 464); and J. G. von Hahn, 2 : 178-183.
F. Max M
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