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ge and to forget my own heart and its more rarely accorded vision of truth. I know I like my own heart best, but I never look into the world of my friend without feeling that my region lies in the temperate zone and is near the Arctic circle; the flowers grow more rarely and are paler, and the struggle for existence is keener. Southward and in the warm west are the Happy Isles among the Shadowy Waters. The pearly phantoms are dancing there with blown hair amid cloud tail daffodils. They have known nothing but beauty, or at the most a beautiful unhappiness. Everything there moves in procession or according to ritual, and the agony of grief, it is felt, must be concealed. There are no faces blurred with tears there; some traditional gesture signifying sorrow is all that is allowed. I have looked with longing eyes into this world. It is Ildathach, the Many-Colored Land, but not the Land of the Living Heart. That island where the multitudinous beatings of many hearts became one is yet unvisited; but the isle of our poet is the more beautiful of all the isles the mystic voyagers have found during the thousands of years literature has recorded in Ireland. What wonder that many wish to follow him, and already other voices are singing amid its twilights. They will make and unmake. They will discover new wonders; and will perhaps make commonplace some beauty which but for repetition would have seemed rare. I would that no one but the first discoverer should enter Ildathach, or at least report of it. No voyage to the new world, however memorable, will hold us like the voyage of Columbus. I sigh sometimes thinking on the light dominion dreams have over the heart. We cannot hold a dream for long, and that early joy of the poet in his new-found world has passed. It has seemed to him too luxuriant. He seeks for something more, and has tried to make its tropical tangle orthodox; and the glimmering waters and winds are no longer beautiful natural presences, but have become symbolic voices and preach obscurely some doctrine of their power to quench the light in the soul or to fan it to a brighter flame. I like their old voiceless motion and their natural wandering best, and would rather roam in the bee-loud glade than under the boughs of beryl and chrysoberyl, where I am put to school to learn the significance of every jewel. I like that natural infinity which a prodigal beauty suggests more than that revealed in esoteric hieroglyphs
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