ssed a few
gallant words to them, and they answered me with down-cast eyes. One of
them having complained of the headache, I offered her my smelling-bottle,
and one of her companions said to her,

"Very likely you did not sleep well last night."

"Oh! it is not that," answered the modest-looking Agnes, "I think I am in
the family-way."

On receiving this unexpected reply from a girl I had taken for a maiden,
I said to her,

"I should never have supposed that you were married, madam."

She looked at me with evident surprise for a moment, then she turned
towards her friend, and both began to laugh immoderately. Ashamed, but
for them more than myself, I left the house with a firm resolution never
again to take virtue for granted in a class of women amongst whom it is
so scarce. To look for, even to suppose, modesty, amongst the nymphs of
the green room, is, indeed, to be very foolish; they pride themselves
upon having none, and laugh at those who are simple enough to suppose
them better than they are.

Thanks to my friend Patu, I made the acquaintance of all the women who
enjoyed some reputation in Paris. He was fond of the fair sex, but
unfortunately for him he had not a constitution like mine, and his love
of pleasure killed him very early. If he had lived, he would have gone
down to posterity in the wake of Voltaire, but he paid the debt of nature
at the age of thirty.

I learned from him the secret which several young French literati employ
in order to make certain of the perfection of their prose, when they want
to write anything requiring as perfect a style as they can obtain, such
as panegyrics, funeral orations, eulogies, dedications, etc. It was by
surprise that I wrested that secret from Patu.

Being at his house one morning, I observed on his table several sheets of
paper covered with dode-casyllabic blank verse.

I read a dozen of them, and I told him that, although the verses were
very fine, the reading caused me more pain than pleasure.

"They express the same ideas as the panegyric of the Marechal de Saxe,
but I confess that your prose pleases me a great deal more."

"My prose would not have pleased you so much, if it had not been at first
composed in blank verse."

"Then you take very great trouble for nothing."

"No trouble at all, for I have not the slightest difficulty in writing
that sort of poetry. I write it as easily as prose."

"Do you think that your prose is better when you compos