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of her motive than you do," Mirabel replied. Alban interposed. "Miss Jethro left me," he said, "with the intention--quite openly expressed--of trying to prevent you from accepting Mr. Wyvil's invitation. Did she make the attempt?" Mirabel admitted that she had made the attempt. "But," he added, "without mentioning Miss Emily's name. I was asked to postpone my visit, as a favor to herself, because she had her own reasons for wishing it. I had _my_ reasons" (he bowed with gallantry to Cecilia) "for being eager to have the honor of knowing Mr. Wyvil and his daughter; and I refused." Once more, the doubt arose: was he lying? or speaking the truth? And, once more, Alban could not resist the conclusion that he was speaking the truth. "There is one thing I should like to know," Mirabel continued, after some hesitation. "Has Miss Emily been informed of this strange affair?" "Certainly!" Mirabel seemed to be disposed to continue his inquiries--and suddenly changed his mind. Was he beginning to doubt if Alban had spoken without concealment, in describing Miss Jethro's visit? Was he still afraid of what Miss Jethro might have said of him? In any case, he changed the subject, and made an excuse for leaving the room. "I am forgetting my errand," he said to Alban. "Miss Emily was anxious to know if you had finished your sketch. I must tell her that you have returned." He bowed and withdrew. Alban rose to follow him--and checked himself. "No," he thought, "I trust Emily!" He sat down again by Cecilia's side. Mirabel had indeed returned to the rose garden. He found Emily employed as he had left her, in making a crown of roses, to be worn by Cecilia in the evening. But, in one other respect, there was a change. Francine was present. "Excuse me for sending you on a needless errand," Emily said to Mirabel; "Miss de Sor tells me Mr. Morris has finished his sketch. She left him in the drawing-room--why didn't you bring him here?" "He was talking with Miss Wyvil." Mirabel answered absently--with his eyes on Francine. He gave her one of those significant looks, which says to a third person, "Why are you here?" Francine's jealousy declined to understand him. He tried a broader hint, in words. "Are you going to walk in the garden?" he said. Francine was impenetrable. "No," she answered, "I am going to stay here with Emily." Mirabel had no choice but to yield. Imperative anxieties forced him to say, in
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