e Turks were destroying the last
remnants of the Roman Empire and the Russians had started upon a final
crusade to crush the power of their Tartar masters.

But of all this, Brother Thomas in his quiet cell never heard. He had
his manuscripts and his own thoughts and he was contented. He poured his
love of God into a little volume. He called it the Imitation of Christ.
It has since been translated into more languages than any other book
save the Bible. It has been read by quite as many people as ever studied
the Holy Scriptures. It has influenced the lives of countless millions.
And it was the work of a man whose highest ideal of existence was
expressed in the simple wish that "he might quietly spend his days
sitting in a little corner with a little book."

Good Brother Thomas represented the purest ideals of the Middle Ages.
Surrounded on all sides by the forces of the victorious Renaissance,
with the humanists loudly proclaiming the coming of modern times,
the Middle Ages gathered strength for a last sally. Monasteries
were reformed. Monks gave up the habits of riches and vice. Simple,
straightforward and honest men, by the example of their blameless
and devout lives, tried to bring the people back to the ways of
righteousness and humble resignation to the will of God. But all to no
avail. The new world rushed past these good people. The days of quiet
meditation were gone. The great era of "expression" had begun.

Here and now let me say that I am sorry that I must use so many "big
words." I wish that I could write this history in words of one syllable.
But it cannot be done. You cannot write a text-book of geometry
without reference to a hypotenuse and triangles and a rectangular
parallelopiped. You simply have to learn what those words mean or do
without mathematics. In history (and in all life) you will eventually
be obliged to learn the meaning of many strange words of Latin and Greek
origin. Why not do it now?

When I say that the Renaissance was an era of expression, I mean this:
People were no longer contented to be the audience and sit still while
the emperor and the pope told them what to do and what to think. They
wanted to be actors upon the stage of life. They insisted upon giving
"expression" to their own individual ideas. If a man happened to be
interested in statesmanship like the Florentine historian, Niccolo
Macchiavelli, then he "expressed" himself in his books which revealed
his own idea of a su