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"It was so kind of you to come! And you are very nice!" The Carpenter said nothing but, "Cut us another slice. I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick. After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but, "The butter's spread too thick!" "I weep for you," the Walrus said; "I deeply sympathize." With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. "O Oysters," said the Carpenter, "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And this was scarcely odd, because They'd eaten every one. We must not deny to humor and fancy the opportunity for creative effort offered to other faculties in our previous studies. What form shall the effort take: fable, fairy tale, a whimsical play of fancy in essay, or merely a nonsense rhyme? I think we must bar the _limerick_ from our serious creative efforts in the study. You may engage as a class in an extemporaneous contest in the making of this infectious form of verse if you like. Meanwhile, there is still another class-room test of humor which should be made,--the test of the clever anecdote. There is nothing which so effectually discloses the quality of your sense of humor as your attitude toward so-called funny stories. Judgment in such a case will rest upon three points: What you think is "funny" enough to tell; when you judge it "apropos" to tell; and the manner of the telling. Three warnings are in order at this point. If you find that you must preface your anecdote with the question too often heard, "Do you think you can stand this story?--it really _is_ clever," in the name of clean humor, don't tell it! If you find you must introduce your anecdote with the remark, "Apropos of nothing," or "This is not apropos, but"--in the name of "sulphitic" humor, don't tell it; finally, if you don't know _how_ to tell it, in the name of any and all humor, _don't tell it_. With these cautions in mind, I shall ask you to bring to class to-morrow your best three "funny stories." Conflicting choice is not likely to have appropriated all three of your favorite anecdotes. Should you find that it has done so, never mi
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