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act was played a second time, taking form and life as all warmed to their work. Eric watched with critical narrowed eyes, no longer scattering pencil-marks in the margin of the script, restrained, impassive and absorbed. Barbara sat with her hands clasped round her ankles and her head resting against his knee. Only when the act was ended did he seem to become aware of her; then he edged away and stood up. "Better! Very much better! Just turn to the place where----" He rustled back into the middle of the act and had it played through to the curtain. Half-an-hour later Barbara emerged into sunshine. Eric was tired and rather husky, but pleased and hopeful. His earlier irritability was forgotten save when it obtruded itself reproachfully to remind him that he had been scantly civil to the girl by his side. "The next thing is a taxi," he murmured, as they came out into Shaftesbury Avenue. "You wouldn't dream of taking me home and offering me some tea?" she suggested. "I would not, Lady Barbara," he answered cheerfully. "Your practice of visiting young unmarried men in their rooms should be promptly checked. But I'll drop you in Berkeley Square, if you like." "That would be more--respectable. It's curious how you seem to have made up your mind not to do anything I ask you." "It doesn't seem to make much difference to the result." She ceased pouting and smiled self-confidently for a moment. Then her assurance left her, and she slipped her arm timidly through his. "Am I being a nuisance, Eric? You said so, and--oh, it _did_ hurt! I honestly enjoyed myself this afternoon; and I wasn't so very much in the way, was I? Don't you like me to enjoy myself? Don't you like to see me happy? Are you sure you're not a little bit sorry you were so brutal to me?" "My conscience is quite easy, thanks. Lady Barbara----" He hesitated and felt himself flushing. "Yes?" "Lady Barbara--, I don't understand you, I don't begin to understand you." "You won't write a good play till you do," she laughed. "All your women are romantic dolls. We're much better and much worse than you think. But that wasn't what you started to say." "I know. . . . Well, you oughtn't to have come to my rooms last night. And you oughtn't to have come to-day, though that wasn't as bad. . . . What d'you imagine people like Grierson or Manders think? What d'you imagine Mabel Elstree thinks, when you sit with your head against my knee?" She
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