FREE BOOKS

Author's List




PREV.   NEXT  
|<   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99  
100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   >>   >|  
ols in their own dear belief that a man is a _loup-garou_. "I suppose I told you that the 'Giaour' story had actually some foundation in fact.... I should not like marvels to rest upon any account of my own, and shall say nothing about it.... The worst of any real adventures is that they involve living people." He at last tired of always appearing in the guise of a corsair, or of a mysterious criminal, or of a hero of melodrama. These various disguises had afforded him too much pain, and one day he said to Mr. Medwin:-- "When Galignani thought of publishing a fresh edition of my works he wrote to Moore to ask him to give him some anecdotes respecting me: and we thought of composing a narrative filled with the most impossible and incredible adventures, to amuse the Parisians. But I reflected that there were already too many ready-made stories about me, to puzzle my brain to invent new ones." Mr. Medwin adds:-- "The reader will laugh when he hears that one of my friends assured me that the lines of Thyrza, published with the first canto to 'Childe Harold,' were addressed by Byron to his bear! There is nothing too wicked to be invented by hatred, or believed by ignorance." Moore often refers to the wonderful contrast which existed between the real and imaginary Byron. Thus, in speaking of his incredibly active and sublime genius at Venice, he says:-- "While thus at this period, more remarkably than at any other during his life, the unparalleled versatility of his genius was unfolding itself, those quick, chameleon-like changes of which his character, too, was capable, were, during the same time, most vividly and in strongest contrast, drawn out. To the world, and more especially to England,--the scene at once of his glories and his wrongs,--he presented himself in no other aspect than that of a stern, haughty misanthrope, self-banished from the fellowship of men, and most of all from that of Englishmen...." How totally all this differed from the Byron of the social hour, they who lived in familiar intercourse with him may be safely left to tell. The reputation which he had acquired for himself abroad, prevented numbers, of course, of his countrymen, whom he would most cordially have welcomed, from seeking his acquaintance. But as it was, no "English gentleman ever approached him, with the common forms of introduction, that did not come away at once surprised and charmed by the kind courtesy and facility of
PREV.   NEXT  
|<   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99  
100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   >>   >|  



Top keywords:

Medwin

 
thought
 

adventures

 

contrast

 

genius

 

sublime

 
England
 
Venice
 

glories

 
imaginary

wrongs

 

speaking

 

active

 

incredibly

 

character

 

capable

 

period

 

chameleon

 
versatility
 

unparalleled


remarkably

 

vividly

 

strongest

 

unfolding

 
seeking
 

welcomed

 
acquaintance
 

English

 

cordially

 
numbers

countrymen

 

gentleman

 

charmed

 

surprised

 

courtesy

 

facility

 
common
 

approached

 

introduction

 

prevented


abroad

 

Englishmen

 

totally

 

differed

 
fellowship
 
banished
 

aspect

 

haughty

 
misanthrope
 

social