FREE BOOKS

Author's List




PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  
se palace has been the principal material from which recent searchers for the picturesque in Venice compose pictures of the Grand Canal. It forms the square mass of architecture on the left, in the continually repeated view of the Church of the Salute seen from the steps of the Academy. The genealogy of the family, from the thirteenth century, when they first appeared in Italy, to the founder of this Venetian lordship, had better be set before the reader in one view.[11] GIOVANNI, Condottiere in service of the Visconti, 1274. | NICOLA, Condottiere, 1297. | FEDERICO, Podesta of Vicenza under the Scaligers, 1331. | CONRADO, Condottiere, 1350. | |--------------+-------------| FEDERIGO, JACOPO, NICOLA, | |---------+----------+----------+----------| NICOLA, GIOVANNI, CONRADO, FEDERIGO, GIORGIO. Founds Venetian family. 227. Now, as above stated, I believe that the fresco of the three knights was commanded by the Podesta of Vicenza, on his receiving that authority from the Scaligers in 1331, and that it represents Giovanni, Nicola, and himself; while the tomb of Federigo and Nicola would be ordered by the Venetian Cavallis, and completed without much care for the record of the rise of the family at Verona. Whether my identification of the figures seen kneeling in the fresco be correct or not, the representation of these three Cavalli knights to the Madonna, each interceded for by his patron saint, will be found to receive a peculiar significance if the reader care to review the circumstances influencing the relation of the German chivalry to the power of the Church in the very year when Giovanni Cavalli entered the ranks of the Visconti. 228. For the three preceding centuries, Milan, the oldest archbishopric of Lombardy, had been the central point at which the collision between the secular and ecclesiastical power took place in Europe. The Guelph and Ghibelline naturally met and warred throughout the plain of Lombardy; but the intense civic stubbornness and courage of the Milanese population formed a kind of rock in their tide-way, where the quarrel of burgher with noble confused itself with,
PREV.   NEXT  
|<   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100  
101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   >>   >|  



Top keywords:

Condottiere

 

NICOLA

 
family
 

Venetian

 
Scaligers
 

Podesta

 

Vicenza

 

GIOVANNI

 

reader

 

Visconti


fresco

 
Cavalli
 

Lombardy

 

knights

 
FEDERIGO
 
Nicola
 
CONRADO
 

Giovanni

 

Church

 
material

correct
 

chivalry

 

influencing

 

relation

 
German
 
entered
 

oldest

 

archbishopric

 

centuries

 

preceding


circumstances
 

review

 

patron

 

interceded

 

Madonna

 

representation

 

principal

 

significance

 

peculiar

 
receive

recent

 
collision
 
formed
 

population

 

stubbornness

 
courage
 

Milanese

 
confused
 

burgher

 
quarrel