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ishes possible, miraculous enough in any pilchard or herring shoal, gathered into companionable catchableness;--which makes, in fine, so many Nations possible, and Saxon and Norman beyond the rest. 215. And finally, the accomplished phase of needlework, the _Acu Tetigisti_ of all time, which does, indeed, practically exhibit what mediaeval theologists vainly tried to conclude inductively--How many angels can stand on a needle-point. To show the essential nature of a stitch--drawing the separate into the inseparable, from the lowly work of duly restricted sutor, and modestly installed cobbler, to the needle-Scripture of Matilda, the Queen. All the acicular Art of Nations, savage and civilized, from Lapland boot, letting in no snow-water--to Turkey cushion bossed with pearl--to valance of Venice gold in needlework -to the counterpanes and samplers of our own lovely ancestresses, imitable, perhaps, once more, with good help from Whiteland's College--and Girton. 216. It was but yesterday, my own womankind were in much wholesome and sweet excitement delightful to behold, in the practice of some new device of remedy for rents (to think how much of evil there is in the two senses of that four-lettered word! as in the two methods of intonation of its synonym tear!) whereby they might be daintily effaced, and with a newness which would never make them worse. The process began beautifully, even to my uninformed eyes, in the likeness of herring-bone masonry, crimson on white, but it seemed to me marvelous that anything should yet be discoverable in needle process, and that of so utilitarian character. All that is reasonable, I say of such work is to be in our first museum room. All that Athena and Penelope would approve. Nothing that vanity has invented for change, or folly loved for costliness; but all that can bring honest pride into homely life, and give security to health--and honor to beauty. J. RUSKIN. FOOTNOTES: [Footnote 4: These letters are reprinted from the _Art Journal_ of June and August 1880, where they were prefaced with the following note by the editor in explanation of their origin:--"We are enabled, through Mr. Ruskin's kindness, to publish this month a series of letters to a friend upon the functions and formation of a model Museum or Picture Gallery. As stated in our last issue the question arose thus:--At the distribution of the prizes to the School of Art at Leicester by Mr. J. D. Linton
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