e of a poet. A more juicy soil
might have made him a Burns or a Beranger for us. New England is dry and
hard, though she have a warm nook in her, here and there, where the
magnolia grows after a fashion. It is all very nice to say to our poets,
"You have sky and wood and waterfall and men and women--in short, the
entire outfit of Shakespeare; Nature is the same here as elsewhere"; and
when the popular lecturer says it, the popular audience gives a stir of
approval. But it is all _bosh_, nevertheless. Nature is _not_ the same
here, and perhaps never will be, as in lands where man has mingled his
being with hers for countless centuries, where every field is steeped in
history, every crag is ivied with legend, and the whole atmosphere of
thought is hazy with the Indian summer of tradition. Nature without an
ideal background is nothing. We may claim whatever merits we like (and
our orators are not too bashful), we may be as free and enlightened as
we choose, but we are certainly not interesting or picturesque. We may
be as beautiful to the statistician as a column of figures, and dear to
the political economist as a social phenomenon; but our hive has little
of that marvellous bee-bread that can transmute the brain to finer
issues than a gregarious activity in hoarding. The Puritans left us a
fine estate in conscience, energy, and respect for learning; but they
disinherited us of the past. Not a single stage-property of poetry did
they bring with them but the good old Devil, with his graminivorous
attributes, and even he could not stand the climate. Neither horn nor
hoof nor tail of him has been seen for a century. He is as dead as the
goat-footed Pan, whom he succeeded, and we tenderly regret him.

Mr. Whittier himself complains somewhere of

The rigor of our frozen sky,

and he seems to have been thinking of our clear, thin, intellectual
atmosphere, the counterpart of our physical one, of which artists
complain that it rounds no edges. We have sometimes thought that his
verses suffered from a New England taint in a too great tendency to
metaphysics and morals, which may be the bases on which poetry rests,
but should not be carried too high above-ground. Without this, however,
he would not have been the typical New England poet that he is. In the
present volume there is little of it. It is more purely objective than
any of its forerunners, and is full of the most charming rural pictures
and glimpses, in which every sig