rably influenced Irish
minstrelsy, and some of the most delightful airs were adapted to
Jacobite lyrics. "Seaghan buidhe," "An Sean duine," "Lament for
Kilcash," "Ormonde's Lament," "Morin ni Chullenain," "All the Way to
Galway" (the air of "Yankee Doodle"), "Caitlin ni Houlihan," "Balance
a straw" ("The Wearing of the Green"), "St. Patrick's Day," "Plancam
Peirbhig," are amongst the tunes in vogue at this period.

As early as 1685 the Hibernian Catch Club was established and still
flourishes. Cecilian celebrations were held from 1727 to 1732, and a
Dublin Academy of Music was founded in 1728. The Charitable and
Musical Society (founded in 1723) built the Fishamble Street Music
Hall in 1741, and assisted at the first performance of _The Messiah_,
conducted by Handel himself, on 13th April, 1742. Kitty Clive, Peg
Woffington, and Daniel Sullivan were noted Irish singers of this
epoch, while John Clegg, Dr. Murphy, and Burke Thumoth were famous
instrumentalists. In 1741 Richard Pockrich invented the Musical
Glasses, for which Gluck wrote some pieces: it was afterwards
improved by Benjamin Franklin. On the continent, Henry Madden was
music director of the Chapel Royal at Versailles in 1744 (in
succession to Campra), and was also canon of St. Quentin.

In 1764 the Earl of Mornington, Mus. D., was appointed first
professor of music in Dublin University. A few years later Charles
Clagget invented the valve-horn. Michael Kelly of Dublin was
specially selected by Mozart to create the parts of Basilio and Don
Curzio at the first performance of the opera of _Figaro_, on May 1st,
1786. Kane O'Hara, Samuel Lee, Owenson, Neale, Baron Dillon, Dr.
Doyle, T.A. Geary, Mahon, and the Earl of Westmeath were
distinguished musicians--while the fame of Carter, Mountain,
Moorehead, and Dr. Cogan was not confined to Ireland.

Among native minstrels, Jerome Duigenan, Dominic Mongan, Denis
Hempson, Charles Byrne, James Duncan, Arthur Victory, and Arthur
O'Neill were celebrated as harpers. The Belfast meeting of 1792
revived the vogue of the national instrument. Nor was the bagpipe
neglected. Even in America, in 1778, Lord Rawdon had a band of
pipers, with Barney Thomson as Pipe Major. At home, Sterling,
Jackson, MacDonnell, Moorehead, Kennedy, and Macklin sustained the
reputation of this ancient instrument.

Ere the close of the eighteenth century John Field of Dublin was a
distinguished pianist. He subsequently (1814) invented the nocturne,