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of national welfare are in this country continually subordinated to party politics." Possibly now that we have been taught by painful experience all we want to know about U-boat warfare, excitement in this tale is rather to seek, but it remains a most successful prophecy. In the last story of the book we have the author in his very worst form. "Three of Them" is a study of children, and the only excuse I can find for it is that it must be intended as a sop to the sentimentalists. Of the others my first vote goes to "The Surgeon of Gaster Fell," and my second to "The Prisoner's' Defence;" but if you are susceptible to Sir ARTHUR'S sense of fun I can also recommend "The Fall of Lord Barrymore" and "One Crowded Hour." Not a great collection, but just good enough. * * * * * Mr. ROMER WILSON has devoted the nearly three hundred pages of his _Martin Schuler_ (METHUEN) to describing what it feels like to be a genius, and, speaking from a very limited knowledge of this class, I should say that he had mapped the mind of a genius of a certain sort very well. His estimate of the creative artist's anguish of emptiness rings true, and will, perhaps surprise the people who think that his lot, like a policeman's, is a very happy one. His _Martin_, who struck me as a very unpleasant young man, was a composer who meant to achieve immortality, but turned down the broad way of musical comedy and acquired money instead. Just in time he repented and wrote a grand opera, and then Mr. WILSON cut short his career in a fashion that seemed to me regrettably hackneyed, which was the only reason why I shared the other characters' sorrow. Why so many people, all rather nasty people too, came to devote themselves to _Martin_ I could not discover, although I had the publisher's word for it that he was "attractive"; but perhaps his genius accounted for it. Probably it is my duty to declare here that _Martin_ and his friends were almost all made in Germany before the War, but as they are exceptionally disagreeable and quite unlikely to inspire anyone with an unjust tenderness for their nation I have no hesitation in recommending the book as a clever study of temperament and a just picture of a part of the German musical world as it was when one last knew anything about it. * * * * * It is all a matter of taste, of course, but personally I don't envy Mr. J.G. LEGGE his self-imposed t
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