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Spree opens it to the sky. The stream is spanned by many bridges, and bridges cannot well be unpicturesque, especially if they have statues to help them out. The Spree abounds in bridges, and it has a charming habit of slow hay-laden barges; at the landings of the little passenger-steamers which ply upon it there are cafes and summer-gardens, and these even in the inclement air of September suggested a friendly gayety. The Marches saw it best in the tour of the elevated road in Berlin which they made in an impassioned memory of the elevated road in New York. The brick viaducts which carry this arch the Spree again and again in their course through and around the city, but with never quite such spectacular effects as our spidery tressels, achieve. The stations are pleasant, sometimes with lunch-counters and news-stands, but have not the comic-opera-chalet prettiness of ours, and are not so frequent. The road is not so smooth, the cars not so smooth-running or so swift. On the other hand they are comfortably cushioned, and they are never overcrowded. The line is at times above, at times below the houses, and at times on a level with them, alike in city and in suburbs. The train whirled out of thickly built districts, past the backs of the old houses, into outskirts thinly populated, with new houses springing up without order or continuity among the meadows and vegetable-gardens, and along the ready-made, elm-planted avenues, where wooden fences divided the vacant lots. Everywhere the city was growing out over the country, in blocks and detached edifices of limestone, sandstone, red and yellow brick, larger or smaller, of no more uniformity than our suburban dwellings, but never of their ugliness or lawless offensiveness. In an effort for the intimate life of the country March went two successive mornings for his breakfast to the Cafe Bauer, which has some admirable wall-printings, and is the chief cafe on Unter den Linden; but on both days there were more people in the paintings than out of them. The second morning the waiter who took his order recognized him and asked, "Wie gestern?" and from this he argued an affectionate constancy in the Berliners, and a hospitable observance of the tastes of strangers. At his bankers, on the other hand, the cashier scrutinized his signature and remarked that it did not look like the signature in his letter of credit, and then he inferred a suspicious mind in the moneyed classes of
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