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ich it had wanted before; and which the Marches felt again in another palace where the custodian showed them the little tin dishes and saucepans which the German Empress Augusta and her sisters played with when they were children. The sight of these was more affecting even than the withered wreaths which they had left on the death-bed of their mother, and which are still mouldering there. This was in the Belvedere, the country house on the height overlooking Weimar, where the grand-ducal family spend the month of May, and where the stranger finds himself amid overwhelming associations of Goethe, although the place is so full of relics and memorials of the owners. It seemed in fact to be a storehouse for the wedding-presents of the whole connection, which were on show in every room; Mrs. March hardly knew whether they heightened the domestic effect or took from it; but they enabled her to verify with the custodian's help certain royal intermarriages which she had been in doubt about before. Her zeal for these made such favor with him that he did not spare them a portrait of all those which March hoped to escape; he passed them over, scarcely able to stand, to the gardener, who was to show them the open-air theatre where Goethe used to take part in the plays. The Natur-Theater was of a classic ideal, realized in the trained vines and clipped trees which formed the coulisses. There was a grassy space for the chorus and the commoner audience, and then a few semicircular gradines cut in the turf, one alcove another, where the more honored spectators sat. Behind the seats were plinths bearing the busts of Goethe, Schiller, Wieland, and Herder. It was all very pretty, and if ever the weather in Weimar was dry enough to permit a performance, it must have been charming to see a play in that open day to which the drama is native, though in the late hours it now keeps in the thick air of modern theatres it has long forgotten the fact. It would be difficult to be Greek under a German sky, even when it was not actually raining, but March held that with Goethe's help it might have been done at Weimar, and his wife and he proved themselves such enthusiasts for the Natur-Theater that the walnut-faced old gardener who showed it put together a sheaf of the flowers that grew nearest it and gave them to Mrs. March for a souvenir. They went for a cup of tea to the cafe which looks, as from another eyebrow of the hill, out over lovel
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