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The Project Gutenberg EBook of The Tapestried Chamber, and Death of the Laird's Jock, by Sir Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tapestried Chamber, and Death of the Laird's Jock Author: Sir Walter Scott Posting Date: November 17, 2008 [EBook #1668] Release Date: March, 1999 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER *** Produced by An Anonymous Volunteer THE TAPESTRIED CHAMBER by Sir Walter Scott INTRODUCTION. This is another little story from The Keepsake of 1828. It was told to me many years ago by the late Miss Anna Seward, who, among other accomplishments that rendered her an amusing inmate in a country house, had that of recounting narratives of this sort with very considerable effect--much greater, indeed, than any one would be apt to guess from the style of her written performances. There are hours and moods when most people are not displeased to listen to such things; and I have heard some of the greatest and wisest of my contemporaries take their share in telling them. AUGUST 1831 THE TAPESTRIED CHAMBER; OR, THE LADY IN THE SACQUE. The following narrative is given from the pen, so far as memory permits, in the same character in which it was presented to the author's ear; nor has he claim to further praise, or to be more deeply censured, than in proportion to the good or bad judgment which he has employed in selecting his materials, as he has studiously avoided any attempt at ornament which might interfere with the simplicity of the tale. At the same time, it must be admitted that the particular class of stories which turns on the marvellous possesses a stronger influence when told than when committed to print. The volume taken up at noonday, though rehearsing the same incidents, conveys a much more feeble impression than is achieved by the voice of the speaker on a circle of fireside auditors, who hang upon the narrative as the narrator details the minute incidents which serve to give it authenticity, and lowers his voice with an affectation of mystery while he approaches the fearful and wonderful part. It was with such advantages that the
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