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n, and been destroyed either by the vapors or some fragment of stone. Beside some silver vases lay another skeleton, probably of a slave. The houses of Sallust and of Pansa, the Temple of Isis, with the juggling concealments behind the statues--the lurking-place of its holy oracles--are now bared to the gaze of the curious. In one of the chambers of that temple was found a huge skeleton with an axe beside it: two walls had been pierced by the axe--the victim could penetrate no farther. In the midst of the city was found another skeleton, by the side of which was a heap of coins, and many of the mystic ornaments of the fane of Isis. Death had fallen upon him in his avarice, and Calenus perished simultaneously with Burbo! As the excavators cleared on through the mass of ruin, they found the skeleton of a man literally severed in two by a prostrate column; the skull was of so striking a conformation, so boldly marked in its intellectual as well as its worse physical developments, that it has excited the constant speculation of every itinerant believer in the theories of Spurzheim who has gazed upon that ruined palace of the mind. Still, after the lapse of ages, the traveler may survey that airy hall within whose cunning galleries and elaborate chambers once thought, reasoned, dreamed, and sinned, the soul of Arbaces the Egyptian. Viewing the various witnesses of a social system which has passed from the world for ever--a stranger, from that remote and barbarian Isle which the Imperial Roman shivered when he named, paused amidst the delights of the soft Campania and composed this history! End of the Project Gutenberg EBook of The Last Days of Pompeii, by Edward George Bulwer-Lytton *** END OF THIS PROJECT GUTENBERG EBOOK THE LAST DAYS OF POMPEII *** ***** This file should be named 1565.txt or 1565.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/5/6/1565/ Produced by John T. Horner and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distri
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