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tes, had cheered her as she came in, and bade her care for nothing. If women had to decide the case, said the French Ambassador, the Queen would win. Their voices availed nothing. She was told that her protest could not be admitted. She then left the court, was thrice summoned to come back, and, as she refused, was pronounced contumacious. For the King to appear as a suitor at Rome was justly regarded as impossible. Casalis was directed to tell Clement that, being in the Emperor's hands, he could not be accepted as a judge in the case, and that sovereign princes were exempted by prerogative from pleading in courts outside their own dominions. If he admitted the Queen's appeal, he would lose the devotion of the King and of England to the See Apostolic, and would destroy Wolsey for ever.[70] Had the Legates been in earnest there would have been no time to learn whether the appeal was allowed at Rome or not; they would have gone on and given sentence under their commission. It appeared as if this was what they intended to do. The court continued sitting. Catherine being contumacious, there was nothing left to delay the conclusion. She was in despair; she believed herself betrayed. Mendoza, who might have comforted her, was gone. She wrote to him that she was lost unless the Emperor or the Pope interposed. Even Campeggio seemed to be ignorant how he was to avoid a decision. Campeggio, the French Ambassador wrote, was already half conquered. If Francis would send a word to him, he might gather courage to pass sentence, and Henry would be brought to his knees in gratitude. The very Pope, perhaps, in his heart would not have been displeased if the Legates had disobeyed the orders which he had given, and had proceeded to judgment, as he had often desired that they might. Micer Mai's accounts to Charles of the shifts of the poor old man, as the accounts from England reached him, are almost pathetic. Pope, Cardinals, canon lawyers, Mai regarded as equally feeble, if not as equally treacherous. One reads with wonder the Spaniard's real estimate of the persons for whose sake and in whose name Charles and Philip were to paint Europe red with blood. "Salviati," said Mai, "who, though a great rogue, has not wit enough to hide his tricks, showed me the minute of a letter they had written to Campeggio: a more stupid or rascally composition could not have been concocted in hell."[71] Campeggio was directed in this letter to reveal to
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