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nd, the young pifferari appeared to treat him with greater deference than they did the other customers; the little girl who accompanied them was particularly eager for his approval. In a little while we became very friendly with the old gentleman, and, one evening, he said, "If you will be here next Wednesday, the pifferari will give us something new." On the evening in question he looked quite smart; he had evidently "fait des frais de toilette," as our neighbours have it; he wore a different coat, and his big white neckcloth was somewhat more starched than usual. He seemed quite excited. The pifferari, on the other hand, seemed anxious and subdued. The cafe was very full, for all the habitues liked the old gentleman, and had made it a point of responding to his quasi-invitation. They were well rewarded, for I have rarely heard sweeter music. It was unlike anything we were accustomed to hear from such musicians; there was an old-world sound about it that went straight to the heart, and when we looked at the old gentleman amidst the genuine applause after the termination of the first piece, there were two big tears coursing down his wrinkled cheeks. The pifferari came again and again, and though they never appealed to him directly, we instinctively guessed that there existed some connection between them. All our efforts to get at the truth of the matter were, however, in vain, for the old gentleman was very reticent. Meanwhile my young friend had passed his examinations, and shifted his quarters to my side of the river. He did not abandon the Quartier-Latin altogether, but my inquiries about the old musician met with no satisfactory response. He had disappeared. Nearly two years went by, when, one afternoon, he called. "Come with me," he said; "I am going to show you a curious nook of Paris which you do not know, and take you to an old acquaintance whom you will be pleased to see again." The "curious nook" of Paris still exists to a certain extent, only the pifferari have disappeared from it. It is situated behind the Pantheon, and is more original than its London counterpart--Saffron Hill. It is like a corner of old Rome, Florence, or Naples, without the glorious Italian sun shining above it to lend picturesqueness to the rags and tatters of its population; swarthy desperadoes with golden rings in their ears and on their grimy fingers, their greasy, soft felt hats cocked jauntily on their heads, or drawn over
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