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ar-water so inflexibly administered. Miss Edgeworth, who suffered from her eyes, recalls how Mr. Day used to bring the dose, the horrible tar-water, every morning with a 'Drink this, Miss Maria!' and how she dared not resist, though she thought she saw something of kindness and pity beneath all his apparent severity. Severity was the order of those times. The reign of sugar-plums had scarcely begun. It was not, as now, only ignorance and fanaticism that encouraged the giving of pain, it was the universal custom. People were still hanged for stealing, women were still burnt--so we have been assured--in St. Stephen's Green; though, it is true, they were considerately strangled first. Children were bullied and tortured with the kindest intentions; even Maria Edgeworth at her fashionable school was stretched in a sort of machine to make her grow; Mr. Day, as we know, to please the lady of his affections, passed eight hours a day in the stocks in order to turn out his knock-knees. One feels that a generation of ladies and gentlemen who submitted to such inflictions surely belonged to a race of heroes and heroines, and that, if the times were difficult and trying, the people also were stronger to endure them, and must have been much better fitted with nerves than we are. Miss Edgeworth's life has been so often told that I will not attempt to recapitulate the story at any length. She well deserved her reputation. Her thoughts were good, her English was good, her stories had the charm of sincerity, and her audience of children was a genuine audience, less likely to be carried away by fashion than more advanced critics might be. There is a curious matter-of-fact element in all she wrote, combined with extraordinary quickness and cleverness; and it must be remembered, in trying to measure her place in literature, that in her day the whole great school of English philosophical romance was in its cradle; George Eliot was not in existence; my father was born in the year in which THE ABSENTEE was published. Sir Walter Scott has told us that it was Miss Edgeworth's writing which first suggested to him the idea of writing about Scotland and its national life. Tourgenieff in the same way says that it was after reading her books on Ireland that he began to write of his own country and of Russian peasants as he did. Miss Edgeworth was the creator of her own special world of fiction, though the active Mr. Edgeworth crossed the t's and do
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