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place. Simontault begins, and the system of tale-telling goes round on the usual plan of each speaker naming him or her who shall follow. It should be observed that no general subject is, as in the _Decameron_, prescribed to the speakers of each day, though, as a matter of course, one subject often suggests another of not dissimilar kind. Nor is there the Decameronic arrangement of the "king." Between the stories, and also between the days, there is often a good deal of conversation, in which the divers characters, as given above, are carried out with a minuteness very different from the chief Italian original. From what has been said already, it will be readily perceived that the novels, or rather their subjects, are not very easy to class in any rationalised order. The great majority, if they do not answer exactly to the old title of _Les Histoires des Amants Fortunes_, are devoted to the eternal subject of the tricks played by wives to the disadvantage of husbands, by husbands to the disadvantage of wives, and sometimes by lovers to the disadvantage of both. "Subtilite" is a frequent word in the titles, and it corresponds to a real thing. Another large division, trenching somewhat upon the first, is composed of stories to the discredit of the monks (something, though less, is said against the secular clergy), and especially of the Cordeliers or Franciscans, an Order who, for their coarse immorality and their brutal antipathy to learning, were the special black (or rather grey) beasts of the literary reformers of the time. In a considerable number there are references to actual personages of the time--references which stand on a very different footing of identification from the puerile guessings at the personality of the interlocutors so often referred to. Sometimes these references are avowed: "Un des muletiers de la Reine de Navarre," "Le Roi Francois montre sa generosite," "Un President de Grenoble," "Une femme d'Alencon," and so forth. At other times the reference is somewhat more covert, but hardly to be doubted, as in the remarkable story of a "great Prince" (obviously Francis himself) who used on his journeyings to and from an assignation of a very illegitimate character, to turn into a church and piously pursue his devotions. There are a few curious stories in which amatory matters play only a subordinate part or none at all, though it must be confessed that this last is a rare thing. Some are mere anecdote p
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