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is princely pile has fallen since the unhappy death of the last of the Condes, but it is to be hoped into those of the young Duc D'Aumale, for I believe he boasts the blood of the Montmorencies, through some intermarriage or other; and if not, he comes, at least, of a line accustomed to dwell in palaces. I do not like to see these historical edifices converted into manufactories, nor am I so much of a modern utilitarian as to believe the poetry of life is without its correcting and useful influences. Your cold, naked utilitarian, holds a sword that bruises as well as cuts; and your sneaking, trading aristocrat, like the pickpocket who runs against you in the crowd before he commits his theft, one that cuts as well as bruises. We were at Ecouen not long before the death of its last possessor, and visited its wide but untenanted halls with strong interest. The house was first erected by some Montmorency, or other, at or near the time of the crusades, I believe; though it has been much altered since. Still it contains many curious vestiges of the taste of that remote age. The old domestic who showed us through the building was as quaint a relic as anything about the place. He had accompanied the family into exile, and passed many years with them in England. In courtesy, respect, and delicate attention, he would have done credit to the court of Louis XIV; nor was his intelligence unworthy of his breeding. This man, by the way, was the only Frenchman whom I ever knew address an Englishman (or, as in my case, one whom he mistook for an Englishman), by the old appelation of _milord_. The practice is gone out, so far as my experience extends. I remember to have learned from this courteous old servant, the origin of the common term _croisee_, which is as often used in large houses as that of _fenetre_. At the period when every man's heart and wishes were bound up in the excitement and enterprise of the crusades, and it was thought that heaven was to be entered sword in hand, the cross was a symbol used as a universal ornament. Thus the aperture for a window was left in the wall, and a stone cross erected in the centre. The several compartments in the casements came from the shape of the cross, and the term _croisee_ from _croix_. All this is plain enough, and perhaps there are few who do not know it; but gazing at the ornaments of Ecouen, my eyes fell on the doors, where I detected crosses in the most familiar objects. There
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