sted of the
fable of Brabrius, who tells how when an old crab said to her child,
"Awkward one, walk not so crookedly!" he replied, "Mother, walk you
straight, I will watch and follow." Verbal wisdom would direct us;
exemplified wisdom draws us.
The first danger, then, from aphorisms is, that they may enable us
to evade, instead of helping us to fulfil, the duty of meeting and
solving for ourselves each mental exigency as it arises. In such a
case, educative discipline and growth are forfeited. The other danger
from them is, that they may be applied mechanically, without a just
understanding of them, and thus that grievous mistakes may be made.
Their genuine use is to excite our own minds to master the principles
which their authors have set forth in them. Fresh honesty of personal
thought, aspiration, and patience, is the spiritual talisman wherewith
alone we can vivify truisms into truths, and transmute noble maxims
into flesh and blood, nay, into immortal mind. The master-thinkers aid
us to do this by the quickening power of their suggestions,--the great
critic not only giving his readers direction, but also helping them to
eyesight.
To traverse the works of some authors is like going through a
carefully arranged herbarium, where every specimen is lifeless,
shrivelled, dusty, crumbling to the touch. The writings of genuine men
of genius are like a conservatory, where every plant of thought and
sentiment, whether indigenous or exotic, is alive, full of bloom and
fragrance, the sap at work in its veins. Verbal statements which are
petrifactions of wisdom can neither stimulate nor nourish; but verbal
statements which are vital concentrations of wisdom do both. He
has learned one of the most important lessons in human life who
understands adequately the difference between formal perception and
organic experience, contrasting the futility of detached and deathly
proverbs with the utility of nutritious and electrical maxims.
A mechanical teacher crowds the ear with mummified precepts and
exhortations; an inspired teacher brings surcharged examples and
rules into contact with the mind. The distinction is world-wide and
inexhaustible.
* * * * *
SHELLEY.
BY ONE WHO KNEW HIM.
If photography had existed during the lifetime of Shelley, it alone
would have sufficed to correct many a misconception of his character
founded upon imperfect portraiture; and even the most boyish
recolle
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