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child of scorn, The outcast of a desolated home. Falsehood and fear and toil, like waves, have worn Channels upon her cheek, which smiles adorn, As calm decks the false ocean. Well ye know What woman is; for none of woman born Can choose but drain the bitter dregs of woe, Which ever from the oppressed to the oppressors flow." The indignation against the revolting subjugation of womanhood comes out still more distinctly in the preceding canto, where Cythna relates the horrors to which she was subjected. "One was she among the many there, the thralls Of the cold tyrant's cruel lust; and they Laughed mournfully in those polluted halls; But she was calm and sad, musing alway On loftiest enterprise, till on a day * * * * * She told me what a loathsome agony Is that when selfishness mocks love's delight, Foul as in dreams' most fearful imagery To dally with the mowing dead;--that night All torture, fear, or horror made seem light Which the soul dreams or knows." The poet bears testimony to the spiritual power which rules throughout Nature; the monster recovering his dignity while he is under the higher influence. "Even when he saw her wondrous loveliness, One moment to great Nature's sacred power He bent and was no longer passionless; But when he bade her to his secret bower Be borne a loveless victim, and she tore Her locks in agony, and her words of flame And mightier looks availed not, then he bore Again his load of slavery, and became A king, a heartless beast, a pageant and a name. ...."When the day Shone on her awful frenzy, from the sight, Where like a spirit in fleshly chains she lay Struggling, aghast and pale the tyrant fled away. "Her madness was a beam of light, a power Which dawned through the rent soul; and words it gave, Gestures and looks, such as in whirlwinds bore Which might not be withstood." The doctrine involved in this passage is very clear, and it marks a decided progress since the days of "Queen Mab." It will be observed that Shelley's mind had become familiarized with the idea of a spirit ruling throughout Nature, obedience to which constitutes human power. Most remarkable is the passage in which the tyrant recovers his faculties through his subjection to this spirit; because it indicates Shelley's faithful adhesion to the universal, though oft obsc
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