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or something by way of tribute to the achievement of one of those rare women of the elder time whose gifts forced her out, but whose heart held her in. I can remember no time when I did not understand that my mother must write books because people would have and read them; but I cannot remember one hour in which her children needed her and did not find her. My first distinct vision of this kind of a mother gives her by the nursery lamp, reading to us her own stories, written for ourselves, never meant to go beyond that little public of two, and illustrated in colored crayons by her own pencil. For her gift in this direction was of an original quality, and had she not been a writer she must have achieved something as an artist. Perhaps it was to keep the standards up, and a little girl's filial adoration down, that these readings ended with some classic--Wordsworth, I remember most often--"We are Seven," or "Lucy Gray." [Illustration: ELM ARCH, ANDOVER, MASSACHUSETTS.] It is certain that I very early had the conviction that a mother was a being of power and importance to the world; but that the world had no business with her when we wanted her. In a word, she was a strong and lovely symmetry--a woman whose heart had not enfeebled her head, but whose head could never freeze her heart. I hardly know which of those charming ways in which I learned to spell the word motherhood impressed me most. All seemed to go on together side by side and step by step. Now she sits correcting proof-sheets, and now she is painting apostles for the baby's first Bible lesson. Now she is writing her new book, and now she is dyeing things canary-yellow in the white-oak dye--for the professor's salary is small, and a crushing economy was in those days one of the conditions of faculty life on Andover Hill. Now--for her practical ingenuity was unlimited--she is whittling little wooden feet to stretch the children's stockings on, to save them from shrinking; and now she is reading to us from the old, red copy of Hazlitt's "British Poets," by the register, upon a winter night. Now she is a popular writer, incredulous of her first success, with her future flashing before her; and now she is a tired, tender mother, crooning to a sick child, while the MS. lies unprinted on the table, and the publishers are wishing their professor's wife were a free woman, childless and solitary, able to send copy as fast as it is wanted. The struggle kille
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