goodly to the sight. Giotto, Era
Angelico, Filippo Lippi, Gentile da Fabriano, Ghirlandajo, names like
the beads of a rosary, commence the list, to which Botticelli,
Perugino, Raffaello Santi, Leonardo da Vinci, Andrea del Sarto,
Correggio, Tiziano, Veronese, and, last of all, with a name like the
blast of a trumpet, the mighty Michael the Archangel, add their
syllabic charm. Then the painters of more northern lands bring the
tribute of their name and work; names less pleasing to the ear, as
their work has less beauty to the sight, but rich, both in name and
work, with honest intent and simple devotion.
[Illustration: MOTHER AND CHILD, MURILLO (SPANISH: BORN 1618?; DIED
1682).]
First come the men whose names are those of their works or of their
birthplace: Master William of Cologne, Master of the Death of Mary,
Master of the Holy Companionship. Then the Van Eycks, Hubert and Jan,
Rogier van der Weyden, Hugo van der Goes, Hans Memling, Quentin
Massys, Lucas van Leyden, the two Hans Holbein, elder and younger,
Burgkmair, Wolgemut, and then, master of them all, Albrecht Duerer.
Something of their honesty of purpose must have been mixed with their
pigments, for the works of these fortunate painters of the early Dutch
and German schools shine on us to-day from the gallery walls with
undiminished splendor; and brave with vivid reds, with blues as rich
and deep as an organ chord, and yellows rich as the gold with which
they embroidered their Virgin's robes, their pictures show, with
touching lapses in some of the details, a large technical mastery,
coupled with an intensity of sentiment which has remained
unapproachable.
[Illustration: HOLY FAMILY. NICOLAS POUSSIN (FRENCH: BORN 1594; DIED
1665).]
[Illustration: MOTHER AND CHILD. LANDELLE. A LIVING FRENCH PAINTER.]
[Illustration: MOTHER AND CHILD. UNKNOWN EARLY FLEMISH PAINTER.]
[Illustration: THE MADONNA WITH THE DIADEM. RAPHAEL (ITALIAN: BORN
1483; DIED 1520).]
[Illustration: MOTHER AND CHILD. RUBENS (FLEMISH: BORN 1577; DIED
1640).]
[Illustration: VIRGIN, INFANT JESUS, AND ST. JOHN. BOTTICELLI
(ITALIAN: BORN 1447; DIED 1515).]
[Illustration: THE REPOSE OF THE HOLY FAMILY. CANTARINI (ITALIAN: BORN
1612; DIED 1648).]
The next of these northern painters who can claim the first rank is he
who is in some respects the greatest of all from a painter's
standpoint, Rembrandt van Ryn. There is little of the primitive
Italian here, little of the painter who wo
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