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" said a barrister to me, "since the days of Emmet." Cooper behaved liberally towards his antagonists, so far as pecuniary damages were concerned, though some of them wholly escaped their payment by bankruptcy. After, I believe, about, six years of litigation, the newspaper press gradually subsided into a pacific disposition towards its adversary, and the contest closed with the account of pecuniary profit and loss, so far as he was concerned, nearly balanced. The occasion of these suits was far from honorable to those who provoked them, but the result was I had almost said, creditable to all parties; to him, as the courageous prosecutor, to the administration of justice in this country, and to the docility of the newspaper press, which he had disciplined into good manners. It was while he was in the midst of these litigations, that he published, in 1840, the _Pathfinder_. People had begun to think of him as a controversialist, acute, keen, and persevering, occupied with his personal wrongs and schemes of attack and defence. They were startled from this estimate of his character by the moral duty of that glorious work--I must so call it; by the vividness and force of its delineations, by the unspoiled love of nature apparent in every page, and by the fresh and warm emotions which everywhere gave life to the narrative and the dialogue. Cooper was now in his fifty-first year, but nothing which he had produced in the earlier part of his literary life was written with so much of what might seem the generous fervor of youth, or showed the faculty of invention in higher vigor. I recollect that near the time of its appearance I was informed of an observation made upon it by one highly distinguished in the literature of our country and of the age, between whom and the author an unhappy coolness had for some years existed. As he finished the reading of the Pathfinder, he exclaimed, "They may say what they will of Cooper; the man who wrote this book is not only a great man, but a good man." The readers of the _Pathfinder_ were quickly reconciled to the fourth appearance of Leatherstocking, when they saw him made to act a different part from any which the author had hitherto assigned him--when they saw him shown as a lover, and placed in the midst of associations which invested his character with a higher and more affecting heroism. In this work are two female characters, portrayed in a masterly manner,--the corporal's daught
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