with "Salvation Army" in crooked black letters on it, who
stood talking in high, rapid tones with his hands folded, had the look
of a puppet whose strings were pulled by the personality in the frame
above him. It was only by degrees that they observed the other objects
in the room--the big drum on the floor in the empty space where the
exhorters stood, the dozen wooden benches and the possible score of
people sitting on them, the dull kerosene lamps on the walls, lighting
up the curtness of the texts. There were half a dozen men of the Duke's
Own packed in a row like a formation, solid on their haunches; and three
or four unshaven and loose-garmented, from crews in the Hooghly, who
leaned well forwards their elbows on their knees, twirling battered
straw hats, with a pathetic look of being for the instant off the
defensive. One was a Scandinavian, another a Greek, with earrings. There
was a ship's cook, too, a full-blooded negro, very respectable with a
plaid tie and a silk hat; and beside, two East Indian girls of different
shades, tittering at the Duke's Own in an agony of propriety; a Bengali
boy, who spelled out the English on the cover of a hymn-book; and a very
clean Chinaman, who appreciated his privilege, since it included a
seat, a lamp, and a noise, though his perception of it possibly went no
further. The other odds and ends were of the mixed country blood, like
the girls, dingy, undecipherable. They made a shadow for the rest, lying
along the benches, shifting unnoticeably.

Three people, two of them women, sat in the open space at the end of
the room where the smoky fog from outside thickened and hung visibly in
mid-air, and there was the empty seat of the man who was talking. Laura
Filbert was one of the women. She might have been flung upon her chair;
her head drooped over the back, buried in the curve of one arm. A
tambourine hung loosely from the hand nearest her face; the other lay,
palm outward in its abandonment, among the folds that covered her limbs.
The folds hung from her waist, and she wore above them a short close
bodice like a Bengali woman. Her head covering had slipped, and
clung only to the knot of hair at the nape of her neck; she lacked,
pathetically, the conscious hand to draw it forward. She was unaware
even of the gaze of the Duke's Own, though it had fixity and absorption.

The man with folded hands went on talking. He seemed to have caught as a
text the refrain of the hymn that had b