guest with
him. On the way up to their box, she pressed his arm as she used in their
young married days, and asked him if it was not perfect. "I wish we were
going to have it all to ourselves; no one else can appreciate the whole
situation. Do you think we have made a mistake in having the Triscoes?"

"We!" he retorted. "Oh, that's good! I'm going to shirk him, when it
comes to going behind the scenes."

"No, no, dearest," she entreated. "Snubbing will only make it worse. We
must stand it to the bitter end, now."

The curtain rose upon another laurelled bust of the Emperor, with a
chorus of men formed on either side, who broke into the grave and noble
strains of the Austrian Hymn, while every one stood. Then the curtain
fell again, and in the interval before the opera could begin, General
Triscoe and his daughter came in.

Mrs. March took the splendor in which the girl appeared as a tribute to
her hospitality. She had hitherto been a little disappointed of the open
homage to American girlhood which her readings of international romance
had taught her to expect in Europe, but now her patriotic vanity feasted
full. Fat highhotes of her own sex levelled their lorgnettes at Miss
Triscoe all around the horseshoe, with critical glances which fell
blunted from her complexion and costume; the house was brilliant with the
military uniforms, which we have not yet to mingle with our unrivalled
millinery, and the ardent gaze of the young officers dwelt on the perfect
mould of her girlish arms and neck, and the winning lines of her face.
The girl's eyes shone with a joyful excitement, and her little head,
defined by its dark hair, trembled as she slowly turned it from side to
side, after she removed the airy scarf which had covered it. Her father,
in evening dress, looked the Third Emperor complaisant to a civil
occasion, and took a chair in the front of the box without resistance;
and the ladies disputed which should yield the best place to the other,
till Miss Triscoe forced Mrs. March fondly into it for the first act at
least.

The piece had to be cut a good deal to give people time for the
illuminations afterwards; but as it was it gave scope to the actress who,
'als Gast' from a Viennese theatre, was the chief figure in it. She
merited the distinction by the art which still lingered, deeply embedded
in her massive balk, but never wholly obscured.

"That is grand, isn't it?" said March, following one of the tremendous
str