gentlemen with vacant faces and the elevated Oxford
shoulders, rosy youth already blase to all this world can offer, and
gray-headed men young again in the prospect of a new sensation. So they
kneel or stand, worshipers before the shrine, expecting the advent of the
Goddess of AEsthetic Culture.

The moment has come. There is a tap on the drum, a tuning of the
strings, a flash of light from the rear of the room inundates the white
canvas, and suddenly a figure is poised in the space, her shadow cast
upon the glowing background.

It is the Spanish dancer!

The apparition evokes a flutter of applause. It is a superb figure, clad
in a high tight bodice and long skirts simply draped so as to show every
motion of the athletic limbs. She seems, in this pose and light,
supernaturally tall. Through her parted lips white teeth gleam, and she
smiles. Is it a smile of anticipated, triumph, or of contempt? Is it
the smile of the daughter of Herodias, or the invitation of a
'ghazeeyeh'? She pauses. Shall she surprise, or shock, or only please?
What shall the art that is older than the pyramids do for these kneeling
Christians? The drum taps, the ney pipes, the mandolin twangs, her arms
are extended--the castanets clink, a foot is thrust out, the bosom
heaves, the waist trembles. What shall it be--the old serpent dance of
the Nile, or the posturing of decorous courtship when the olives are
purple in the time of the grape harvest? Her head, wreathed with coils
of black hair, a red rose behind the left ear, is thrown back. The eyes
flash, there is a snakelike movement of the limbs, the music hastens
slowly in unison with the quickening pulse, the body palpitates, seems to
flash invitation like the eyes, it turns, it twists, the neck is thrust
forward, it is drawn in, while the limbs move still slowly, tentatively;
suddenly the body from the waist up seems to twist round, with the waist
as a pivot, in a flash of athletic vigor, the music quickens, the arms
move more rapidly to the click of the heated castenets, the steps are
more pronounced, the whole woman is agitated, bounding, pulsing with
physical excitement. It is a Maenad in an access of gymnastic energy.
Yes, it is gymnastics; it is not grace; it is scarcely alluring. Yet it
is a physical triumph. While the spectators are breathless, the fury
ceases, the music dies, and the Spaniard sinks into a chair, panting with
triumph, and inclines her dark head to the clapping of hands a