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be so. He put on a serious and anxious look like the
others. He pretended he did n't care for play; he refrained from
chasing chipmunks and snaring suckers; the songs of birds and the
bright vivacity of the summer--time that used to make him turn
hand-springs smote him as a discordant levity. He was not a hypocrite
at all, and he was getting to be alarmed that he was not alarmed at
himself. Every day and night he heard that the spirit of the Lord
would probably soon quit striving with him, and leave him out. The
phrase was that he would "grieve away the Holy Spirit." John wondered
if he was not doing it. He did everything to put himself in the way of
conviction, was constant at the evening meetings, wore a grave face,
refrained from play, and tried to feel anxious. At length he concluded
that he must do something.
One night as he walked home from a solemn meeting, at which several
of his little playmates had "come forward," he felt that he could
force the crisis. He was alone on the sandy road; it was an
enchanting summer night; the stars danced overhead, and by his side
the broad and shallow river ran over its stony bed with a loud but
soothing murmur that filled all the air with entreaty. John did not
then know that it sang, "But I go on forever," yet there was in it
for him something of the solemn flow of the eternal world. When he
came in sight of the house, he knelt down in the dust by a pile of
rails and prayed. He prayed that he might feel bad, and be
distressed about himself. As he prayed he heard distinctly, and yet
not as a disturbance, the multitudinous croaking of the frogs by the
meadow spring. It was not discordant with his thoughts; it had in it
a melancholy pathos, as if it were a kind of call to the unconverted.
What is there in this sound that suggests the tenderness of spring,
the despair of a summer night, the desolateness of young love? Years
after it happened to John to be at twilight at a railway station on
the edge of the Ravenna marshes. A little way over the purple plain
he saw the darkening towers and heard "the sweet bells of Imola."
The Holy Pontiff Pius IX. was born at Imola, and passed his boyhood
in that serene and moist region. As the train waited, John heard
from miles of marshes round about the evening song of millions of
frogs, louder and more melancholy and entreating than the vesper call
of the bells. And instantly his mind went back for the association
of sound is as subtle as th
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