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fe impossible. They were tried before me for selfishness, or for an impossible vanity, or for scandalmongering, or for stinginess to guests or dependents. Of course these courts had no sort of real coercive powers. The fulfilment of their punishments rested entirely on the honour of the ladies and gentlemen involved, including the honour of the culprits. But you would be amazed to know how completely our orders were always obeyed. Only lately I had a most pleasing example. A maiden lady in South Kensington whom I had condemned to solitary confinement for being the means of breaking off an engagement through backbiting, absolutely refused to leave her prison, although some well-meaning persons had been inopportune enough to rescue her." Rupert Grant was staring at his brother, his mouth fallen agape. So, for the matter of that, I expect, was I. This, then, was the explanation of the old lady's strange discontent and her still stranger content with her lot. She was one of the culprits of his Voluntary Criminal Court. She was one of the clients of his Queer Trade. We were still dazed when we drank, amid a crash of glasses, the health of Basil's new judiciary. We had only a confused sense of everything having been put right, the sense men will have when they come into the presence of God. We dimly heard Basil say: "Mr P. G. Northover will now explain the Adventure and Romance Agency." And we heard equally dimly Northover beginning the statement he had made long ago to Major Brown. Thus our epic ended where it had begun, like a true cycle. End of Project Gutenberg's The Club of Queer Trades, by G. K. Chesterton *** END OF THIS PROJECT GUTENBERG EBOOK THE CLUB OF QUEER TRADES *** ***** This file should be named 1696.txt or 1696.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/9/1696/ Produced by Anonomous Project Gutenberg Volunteers Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT G
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