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ve been impossible to prove such a charge, and besides, I had made oath to my sister that I would use the man only for these soul-experiments. What are his crimes compared with the great secret of knowledge I am now able to give the world?" "A secret of knowledge?" "Yes," said the savant, with intense earnestness, "I may tell you now, doctor, what the whole world will know, ere long, that it is possible to compel every living person to reveal the innermost secrets of his or her life, so long as memory remains, for memory is only the power of producing in the brain material pictures that may be projected externally by the thought rays and made to impress themselves upon the photographic plate, precisely as ordinary pictures do." "You mean," I exclaimed, "that you can photograph the two principles of good and evil that exist in us?" "Exactly that. The great truth of a dual soul existence, that was dimly apprehended by one of your Western novelists, has been demonstrated by me in the laboratory with my camera. It is my purpose, at the proper time, to entrust this precious knowledge to a chosen few who will perpetuate it and use it worthily." "Wonderful, wonderful!" I cried, "and now tell me, if you will, about the house on the Rue Picpus. Did you ever visit the place?" "We did, and found that no buildings had stood there for fifty years, so we did not pursue the search."[1] [Footnote 1: Years later, some workmen in Paris, making excavations in the Rue Picpus, came upon a heavy door buried under a mass of debris, under an old cemetery. On lifting the door they found a vault-like chamber in which were a number of female skeletons, and graven on the walls were blasphemous words written in French, which experts declared dated from fully two hundred years before. They also declared this handwriting identical with that found on the door at the Water Street murder in New York. Thus we may deduce a theory of fiend reincarnation; for it would seem clear, almost to the point of demonstration, that this murder of the seventeenth century was the work of the same evil soul that killed the poor woman on Water Street towards the end of the nineteenth century.] "And the writing on the card, have you any memory of it, for Burwell told me that the words have faded?" "I have something better than that; I have a photograph of both card and writing, which my sister was careful to take. I had a notion that the ink in my pock
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