FREE BOOKS

Author's List




PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  
and it is highly probable that necessity suggested to the _tragitour_ or juggler, who was reduced to one solitary companion, the jester or jackpudding, to make up his "company," the idea of substituting puppets to supply the place of other living characters. The drama was in much the same state of progress throughout the civilized portions of Europe; and to the Italians and Spaniards the ingenuity of "Punchinello" has been attributed. In England these wooden performers were called _motions_; and Mr. Punch took among them the rank of _mirth-maker_. If there yet lives a being who has not at some moment of his life felt a thrill of delight at the prospect of a half-hour's exhibition of this gentleman's performance in his miniature theatre, we pity him most heartily. The oratorio is a mystery or morality in music. The Oratorio commenced with the priests of the Oratory, a brotherhood founded at Rome, 1540, by St. Philip Neri, who, in order to attract the youthful and pleasure-loving to church, had hymns, psalms, or spiritual songs, or cantatas sung either in chorus or by a single favourite voice. These pieces were divided into two parts, one sung before the other, after the sermon. Sacred stories or events from Scripture, written in verse, and, by way of dialogue, were set to music, and the first part being performed, the sermon succeeded, which people were inclined to remain to hear, that they might also hear the conclusion of the musical performance. This ingenious device precluded the necessity, we presume, of locking the doors to prevent the egress of the congregation after prayers, and before the sermon, that has in some places since been resorted to. The institutions of the Oratory required that corporal punishments should be mingled with their religious harmony; and the custom would seem to have been, that at certain seasons, of frequent occurrence, the brethren went through severe castigation from their own hands, upon their own bodies, with whips of small cords, delivered to them by officers appointed for the purpose. This ceremony was performed in the dark, while a priest recited the Miserere and De Profundis with several prayers; after which, in silence and gloom, they were permitted to resume their attire, and refrain from their self-inflictions. Mysteries and moralities ceased altogether about the year 1758 in this country; a comedy by Lupton, bearing that date, being about the last trace of the o
PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  



Top keywords:

sermon

 

prayers

 
Oratory
 

performed

 
necessity
 

performance

 
congregation
 
corporal
 

mingled

 

egress


institutions
 
resorted
 

places

 

punishments

 

required

 
dialogue
 

written

 

Sacred

 
stories
 

events


Scripture

 

succeeded

 
people
 

precluded

 

device

 

presume

 

locking

 
ingenious
 
musical
 

inclined


remain

 

conclusion

 

prevent

 
occurrence
 
resume
 

permitted

 

attire

 
refrain
 

inflictions

 

silence


Miserere

 
recited
 

Profundis

 
Mysteries
 

moralities

 
bearing
 

Lupton

 

comedy

 

altogether

 

ceased