FREE BOOKS

Author's List




PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   >>   >|  
unconscious that it can interest an outsider, to dream of discussing it. What they have to say would not therefore by itself go far in demonstration of their acquirements in technique. Fortunately, for proof of that we are not dependent on talk. Besides talk there exists another kind of evidence open to every one's examination, and the technical skill exercised in country labours may be purely deduced from the aptness and singular beauty of sundry country tools. The beauty of tools is not accidental, but inherent and essential. The contours of a ship's sail bellying in the wind are not more inevitable, nor more graceful, than the curves of an adze-head or of a plough-share. Cast in iron or steel, the gracefulness of a plough-share is more indestructible than the metal, yet pliant (in the limits of its type) as a line of English blank verse. It changes for different soils: it is widened out or narrowed; it is deep-grooved or shallow; not because of caprice at the foundry or to satisfy an artistic fad, but to meet the technical demands of the expert ploughman. The most familiar example of beauty indicating subtle technique is supplied by the admired shape of boats, which, however, is so variable (the statement is made on the authority of an old coast-guardsman) that the boat best adapted for one stretch of shore may be dangerous, if not entirely useless, at another stretch ten miles away. And as technique determines the design of a boat, or of a waggon, or of a plough-share, so it controls absolutely the fashioning of tools, and is responsible for any beauty of form they may possess. Of all tools none, of course, is more exquisite than a fiddle-bow. But the fiddle-bow never could have been perfected, because there would have been no call for its tapering delicacy, its calculated balance of lightness and strength, had not the violinist's technique reached such marvellous fineness of power. For it is the accomplished artist who is fastidious as to his tools; the bungling beginner can bungle with anything. The fiddle-bow, however, affords only one example of a rule which is equally well exemplified by many humbler tools. Quarryman's peck, coachman's whip, cricket-bat, fishing-rod, trowel, all have their intimate relation to the
PREV.   NEXT  
|<   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179  
180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   >>   >|  



Top keywords:

beauty

 
technique
 

fiddle

 
plough
 

country

 

technical

 

stretch

 

possess

 

exquisite

 

guardsman


adapted

 

dangerous

 
variable
 

statement

 

authority

 

waggon

 
design
 

controls

 
absolutely
 

fashioning


determines
 

useless

 

responsible

 

equally

 

exemplified

 

bungle

 

affords

 

humbler

 

Quarryman

 

trowel


intimate

 

relation

 

fishing

 
coachman
 
cricket
 

beginner

 

bungling

 
balance
 

lightness

 

strength


calculated

 

delicacy

 

perfected

 

tapering

 

violinist

 
reached
 

artist

 
fastidious
 

accomplished

 

marvellous