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ane, peaceful, quiet, friendly and gay. He does not free us from a dark responsibility to God to plunge us under the yoke of a darker responsibility to posterity. He would free us from every kind of responsibility. He would reduce our life to a beautiful unrestricted "Abbey of Thelema," over the gates of which the great Pantagruelian motto "Fay ce que vouldray" would be written in letters of gold. What one is brought to feel in reading Remy de Gourmont is that the liberty of the individual to follow his intellectual and psychological tastes unimpeded by any sort of external authority is much more important for civilisation at large and much more conducive to the interests of posterity than any inflexible rules, whether they be laid upon us by ecclesiastical tradition, by puritanical heretics or by prophetic supermen. It is really _liberty_--first and last--in the full beautiful meaning of that great human word, that Remy de Gourmont claims for us; though he is perfectly aware that such liberty can never be enjoyed except by those whose genuine intellectual emancipation renders them fit to enjoy it. It is always for the liberty of _man_ as an individual, never for _men_ as a herd, that he contends; as his favourite phrase, "subjective idealism," constantly insists. And, above all, it is perfect and untrammelled liberty for the artist that he demands. One of his most suggestive and interesting essays is upon the topic of the influence of the "young girl" upon contemporary literature. This is indeed carrying the war into the enemy's camp; for if the "young girl" has interfered with the freedom of the artist in France, what has she done in England and America? "What are they doing here?" cried Goethe once, teased and fretted by the presence of this restricting influence. "Why don't they keep them in their convents?" And it is this very cry, the cry of the impatient artist longing to deal freely and largely with every mortal aspect of human life, that Remy de Gourmont echoes. It is indeed a serious and difficult problem; and it is one of the problems thrust inevitably upon us by the spread of education and the consequent cheapening and vulgarising of education under the influence of democracy. But it can have only one answer, the great and memorable answer given to all scrupulous protectors of virtue by John Milton in his "Areopagitica." It is better that this or the other person should come to harm by the b
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